Hidden in a toolbox, in the rafters of his four-car garage, was an envelope full of pictures taken by a private detective...They were pictures of a scrawny, boyish looking nine year old with a wide mouth and a tangle of brown hair...Her eyes were oblong and deep set, their color hidden from the camera by the slant of the sun. The angles and planes of her face were oddly beautiful just then, in that moment, frozen on Kodak paper. A hint of the woman she would someday become.
But as men grow more industrialised and regimented, the kind of delight that is common in children becomes impossible to adults because they are always thinking of the next thing and cannot let themselves be absorbed in the moment. This habit of thinking of the __ext thing_ is more fatal to any kind of aesthetic excellence than any other habit of mind that can be imagined, and if art, in any important sense, is to survive it will not be by the foundation of solemn academies, but by recapturing the capacity for wholehearted joys and sorrows which prudence and foresight have all but destroyed.
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But as men grow more industrialised and regimented, the kind of delight that is common in children becomes impossible to adults because they are always thinking of the next thing and cannot let themselves be absorbed in the moment. This habit of thinking of the __ext thing_ is more fatal to any kind of aesthetic excellence than any other habit of mind that can be imagined, and if art, in any important sense, is to survive it will not be by the foundation of solemn academies, but by recapturing the capacity for wholehearted joys and sorrows which prudence and foresight have all but destroyed.
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