The creative process is a cocktail of instinct, skill, culture and a highly creative feverishness. It is not like a drug; it is a particular state when everything happens very quickly, a mixture of consciousness and unconsciousness, of fear and pleasure, it's a little like making love, the physical act of love.
On reflection, looking at shows like this and considering my own experiences, what fascinated me was that we have so many stories like this that help us empathize with monstrous men. __es, these men are flawed, but they are not as evil as this man._ Even more chilling, they tend to be stories that paint women as roadblocks, aggressors, antagonists, complications__ut only in the context of them being a bitch, a whore, a Madonna. The women are never people.Stories about monstrous men are not meant to teach us how to empathize with the women and children murdered, but with the men fighting over their bodies.As a woman menaced by monsters, I find this particularly interesting, this erasure of me from a narrative meant to, if not justify, then explain the brokenness of men. There are shows much better at this, of course, which don__ paint women out of the story__ad Men is the first to come to mind, and Game of Thrones__ut True Detective doubled down.The women terrorized by monsters in real life are active agents. They are monster-slayers, monster-pacifiers, monster-nurturers, monster-wranglers__nd some of them are monsters, too. In truth, if we are telling a tale of those who fight monsters, it fascinates me that we are not telling more women__ stories, as we__e spun so many narratives like True Detective that so blatantly illustrate the sexist masculinity trap that turns so many human men into the very things they despise.Where are the women who fight them? Who partner with them? Who overcome them? Who battle their own monsters to fight greater ones?Because I have and continue to be one of those women, navigating a horror show world of monsters and madmen. We are women who write books and win awards and fight battles and carve out extraordinary lives from ruin and ash. We are not background scenery, our voices silenced, our motives and methods constrained to sex.I cannot fault the show__ men for forgetting that; they__e created the world as they see it. But I can prod the show__ exceptional writers, because in erasing the narrative of those whose very existence is constantly threatened by these monsters, including trusted monsters whose natures vacillate wildly, they sided with the monsters.I__ not a bit player in a monster__ story. But with narratives like this perpetuated across our media, it wouldn__ surprise me if that__ how my obituary read: a catalogue of the men who sired me, and fucked me, and courted me.Stories that are not my own.Funny, isn__ it? The power of story.It__ why I picked up a pen.I slay monsters, too.
Quote Detail
On reflection, looking at shows like this and considering my own experiences, what fascinated me was that we have so many stories like this that help us empathize with monstrous men. __es, these men are flawed, but they are not as evil as this man._ Even more chilling, they tend to be stories that paint women as roadblocks, aggressors, antagonists, complications__ut only in the context of them being a bitch, a whore, a Madonna. The women are never people.Stories about monstrous men are not meant to teach us how to empathize with the women and children murdered, but with the men fighting over their bodies.As a woman menaced by monsters, I find this particularly interesting, this erasure of me from a narrative meant to, if not justify, then explain the brokenness of men. There are shows much better at this, of course, which don__ paint women out of the story__ad Men is the first to come to mind, and Game of Thrones__ut True Detective doubled down.The women terrorized by monsters in real life are active agents. They are monster-slayers, monster-pacifiers, monster-nurturers, monster-wranglers__nd some of them are monsters, too. In truth, if we are telling a tale of those who fight monsters, it fascinates me that we are not telling more women__ stories, as we__e spun so many narratives like True Detective that so blatantly illustrate the sexist masculinity trap that turns so many human men into the very things they despise.Where are the women who fight them? Who partner with them? Who overcome them? Who battle their own monsters to fight greater ones?Because I have and continue to be one of those women, navigating a horror show world of monsters and madmen. We are women who write books and win awards and fight battles and carve out extraordinary lives from ruin and ash. We are not background scenery, our voices silenced, our motives and methods constrained to sex.I cannot fault the show__ men for forgetting that; they__e created the world as they see it. But I can prod the show__ exceptional writers, because in erasing the narrative of those whose very existence is constantly threatened by these monsters, including trusted monsters whose natures vacillate wildly, they sided with the monsters.I__ not a bit player in a monster__ story. But with narratives like this perpetuated across our media, it wouldn__ surprise me if that__ how my obituary read: a catalogue of the men who sired me, and fucked me, and courted me.Stories that are not my own.Funny, isn__ it? The power of story.It__ why I picked up a pen.I slay monsters, too.
Quick Answer
What this quote page tells you
This canonical quote page keeps the full saying, the attributed author, any linked work, and the topic tags together so the quote can be cited from one stable URL.
Related Quotes
More quote cards from the same area
When a Wanderess has been caged, or perched with her wings clipped, She lives like a Stoic, She lives most heroic, smiling with ruby, moistened lips once her cup of Death is welcome sipped.
If a culture is good or evil, it is only because of its carriers.
Evil is ancient, unchanging, and with us always. The more postmodern the West becomes _ affluent, leisured, nursed on moral equivalence, utopian pacifism, and multicultural relativism _ the more premodern the evil among us seems to arise in nihilistic response.
Being well known for being well-known did not necessarily imply intelligence.
Evangelicals believe they are saved by grace through faith but then add a man-made waiver that you have to work as hard as you can can meet middle-class behavioral patterns to hang onto it.