Value your parabatai," he said. "For it is a precious bond. All love is precious. It is why we do what we do. Why do we fight demons? Why are they not fit custodians of this world? What makes us better? It is because they do not build, but destroy. They do not love, but hate only. We are human and fallible, we Shadowhunters. But if we did not have the capability to love, we could not guard humans; we must love to guard them. My parabatai, he loved like few ever could love, with all and everything. I see you are like that too; it burns more brightly in you than the fire of Heaven

Mademoiselle De Lafontaine _ in right of her father, who was a German, assumed to be psychological, metaphysical and something of a mystic _ now declared that when the moon shone with a light so intense it was well known that it indicated a special spiritual activity. The effect of the full moon in such a state of brilliancy was manifold. It acted on dreams, it acted on lunacy, it acted on nervous people; it had marvelous physical influences connected with life. Mademoiselle related that here cousin, who was mate of a merchant ship, having taken a nap on deck on such a night, lying on his back, with his face full in the light of the moon, had wakened, after a dream of an old woman clawing him by the cheek, with his features horribly drawn to one side; and his countenance had never quite recovered its equilibrium.

The degree of freedom we enjoy outwardly is a reflection of the degree of love we cultivate inwardly.

Force is incomplete and therefore has to be fed energy constantly. Power is total and complete in itself and requires nothing from outside.

After all, it isn't the facts of one's environment, but one's attitude toward them, that determines whether one will be defeated or victorious.

Perceptual fields are limited by the attractor patterns that they're associated with. This means that the capacity to recognize significant factors in a given situation is limited by the context that arises from the level of consciousness of the observer. The motive of the viewer automatically determines what is seen; causality is, therefore, ascribed to factors that are, in fact, a function of the biases of the observer and aren't at all instrumental in the situation itself.