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Anonymous > Quotes > Quotable Quote__ see life as a roadside inn where I have to stay until the coach from the abyss pulls up. I don__ know where it will take me, because I don__ know anything. I could see this inn as a prison, for I__ compelled to wait in it; I could see it as a social centre, for it__ here that I meet others. But I__ neither impatient nor common. I leave who will to stay shut up in their rooms, sprawled out on beds where they sleeplessly wait, and I leave who will to chat in the parlours, from where their songs and voices conveniently drift out here to me. I__ sitting at the door, feasting my eyes and ears on the colours and sounds of the landscape, and I softly sing _ for myself alone _ wispy songs I compose while waiting.
Fernando Pessoa The Book of Disquiet
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Anonymous > Quotes > Quotable Quote__ see life as a roadside inn where I have to stay until the coach from the abyss pulls up. I don__ know where it will take me, because I don__ know anything. I could see this inn as a prison, for I__ compelled to wait in it; I could see it as a social centre, for it__ here that I meet others. But I__ neither impatient nor common. I leave who will to stay shut up in their rooms, sprawled out on beds where they sleeplessly wait, and I leave who will to chat in the parlours, from where their songs and voices conveniently drift out here to me. I__ sitting at the door, feasting my eyes and ears on the colours and sounds of the landscape, and I softly sing _ for myself alone _ wispy songs I compose while waiting.

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As Roran watched, the man's arms, neck, and chest shriveled, and his bones appeared in sharp relief-from the bowlike curve of his collarbones to the hollow saddle of his hips, where his stomach hung like an empty waterskin. His lips puckered and drew back farther than they were intended to over his yellow teeth, baring them in a grisly snarl, while his eyeballs deflated as if they were engorged ticks being squished empty of blood, and the surrounding flesh sank inward.

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She wrote, in the last pages, of feeling all the evil of the neighborhood around her. Rather, she wrote obscurely, good and evil are mixed together and reinforce each other in turn. Marcello, if you thought about it, was really a good arrangement, but the good tasted of the bad and the bad tasted of the good, it was a mixture that took your breath away. A few evenings earlier, something had happened that had really scared her. Marcello had left, the television was off, the house was empty, Rino was out, her parents were going to bed. She was alone in the kitchen washing the dishes and was tired, really without energy, when there was an explosion. She had turned suddenly and realized that the big copper pot had exploded. Like that, by itself. It was hanging on the nail where it normally hung, but in the middle there was a large hole and the rim was lifted and twisted and the pot itself was all deformed, as if it could no longer maintain its appearance as a pot. Her mother had hurried in in her nightgown and blamed her for dropping it and ruining it. But a copper pot, even if you drop it, doesn't break and doesn't become misshapen like that. "It's this sort of thing," Lila concluded, "that frightens me. More than Marcello, more than anyone. And I feel that I have to find a solution, otherwise, everything, one thing after another, will break, everything, everything.

EF
Elena Ferrante

My Brilliant Friend