The revolutionary woman knows the world she seeks to overthrow is precisely one in which love between equal human beings is well nigh impossible. We are still part of the ironical working-out of this, our own cruel contradiction. One of the most compelling facts which can unite women and make us act is the overwhelming indignity or bitter hurt of being regarded as simply __he other_, __n object_, __ommodity_, __hing_. We act directly from a consciousness of the impossibility of loving or being loved without distortion. But we must still demand now the preconditions of what is impossible at the moment. It is a most disturbing dialectic, our praxis of pain.

When a Wanderess has been caged, or perched with her wings clipped, She lives like a Stoic, She lives most heroic, smiling with ruby, moistened lips once her cup of Death is welcome sipped.

If there is anything worse than evil, it is nothingness. At least evil has a form, and a voice, and a purpose, however depraved. Perhaps some good can even come out of evil: a terrible deed of violence against someone weaker may lead others to act in order to ensure that such a deed is not perpetrated again, whereas before they might have been unaware of the reasons why an individual might behave in such a way, or they might simply have chosen to ignore them. And evil, as we saw with the Blacksmith, always contains within itself the possibility of its own redemption. It is not evil that is the enemy of hope: it is nothingness.

It is when we are completely fulfilled and want for nothing more that we are given everything.

Two separate beings, in different circumstances, face to face in freedom and seeking justification of their existence through one another, will always live an adventure full of risk and promise." (p. 248)

Accept nothing. Challenge everything.