Ego is the central figure of our personal history, based upon the past and looking into the future. Ego is the deepest dream of the Consciousness.
Our parents tell us the story of our beginning and they have total control over it--they know they've changed it, and we know they've changed it, but we just let them. They massage the details to reflect who we are now, so that there will be a sense to it: you are this because that. We gave you a blanket with birdies on it and now you're a pilot, how lovely! All so that we think of ourselves as being in . . . not just a story, but a good story. One written in full command of their craft. Someone who abides by the contract with the audience, even if the audience is us. Everyone loves a system. Everyone relaxes.
Radiance
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Our parents tell us the story of our beginning and they have total control over it--they know they've changed it, and we know they've changed it, but we just let them. They massage the details to reflect who we are now, so that there will be a sense to it: you are this because that. We gave you a blanket with birdies on it and now you're a pilot, how lovely! All so that we think of ourselves as being in . . . not just a story, but a good story. One written in full command of their craft. Someone who abides by the contract with the audience, even if the audience is us. Everyone loves a system. Everyone relaxes.
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Fate is a woman, I said to them. In fact, she is three women. Young, like us, so that they will have the courage to be cruel, having no weight of memory to teach temperance. Young, but so old, older than any stone. Their hair is silver, but full and long. Their eyes are black. But when they are at their work they become dogs, wolves, for they are hounds of death, and also hounds of joy. They take the strands of life in their jaws, and sometimes they are careful with their jagged teeth, and sometimes they are not. They gallop around a great monolith, the stone that pierces our Sphere where the meridians meet, that turns the Earth and pins it in place in the world. It is called the Spindle of Necessity, and all round it the wolves of fate run, and run, and run, and the patterns of their winding are the patterns of the world. Nothing can occur without them, but they take no sides. I could also say that there is such a stone, such a place, but the dogs who are women died long ago, and left the strands to fall, and we have been helpless ever since. That in a wolfless world we must find our own way. That is more comforting to me. I want my own way, I want to falter; I want to fail, and I want to be redeemed. All these things I want to spool out from the spindle that is me, not the spindle of the world. But I have heard both tales.
I need to tell you a story, a tale of fate and emergence.
He prefers his adventures second hand.
September felt panic burn through her like gasoline. Why couldn't he understand her? "But I didn't [choose]! I have hardly had a chance to breathe since I got here and it's always like that in Fairyland. Everything is always happening and all at once. And I am growing up, Saturday! I am growing up and I have read books, so many books, and I know that growing up means you can't keep going to Fairyland the way you did when you were a child! Something happens to you and suddenly you have to keep a straight face and a straight line and I am afraid! I want something grand and I don't want to know what it is before it happens!
It's in The Lord of the Rings, I think, where one of the characters says that "way leads on to way"; that you could start at a path leading nowhere more fantastic than from your own front steps to the sidewalk, and from there you could go . . . well, anywhere at all. It's the same way with stories. One leads to the next, to the next, and to the next; maybe they go in the direction you wanted to go, but maybe they don't. Maybe in the end it's the voice that tells the stories more than the stories themselves that matters.