Shirts and jeans litter the asphalt, the empty fabric limbs askew as if they're attempting to escape. Blood smears Sarah's lips as she struggles against the chest of a dirty looking man with a beard. Terror. Terror is the only word my mind can seize on and it forgets what it means. I forget how to think - to move.

He never thought he was right. The horror of all that had died under his will had become mundane to him. You see, the first horror is the horror itself. The real horror for him was accepting it as necessary.

Sometimes sanity just means the ability to recognize the end of the road when you reach it.

The city had grown, implacably, spreading its concrete and alloy fingers wider every day over the dark and feral country. Nothing could stop it. Mountains were stamped flat. Rivers were dammed off or drained or put elsewhere. The marshes were filled. The animals shot from the trees and then the trees cut down. And the big gray machines moved forward, gobbling up the jungle with their iron teeth, chewing it clean of its life and all its living things.Until it was no more. Leveled, smoothed as a highway is smoothed, its centuries choked beneath millions and millions of tons of hardened stone. The birth of a city... It had become the death of a world.

Art is inextricably tied to man's survival - not to his physical survival, but to that on which his physical survival depends: to the preservation and survival of his consciousness.

Art, even the art of fullest scope and widest vision, can never really show us the external world. All that it shows us is our own soul, the one world of which we have any real cognisance. And the soul itself, the soul of each one of us, is to each one of us a mystery. It hides in the dark and broods, and consciousness cannot tell us of its workings. Consciousness, indeed, is quite inadequate to explain the contents of personality. It is Art, and Art only, that reveals us to ourselves.