The survivor spoke to us though, or tried to. Mumbling through that matted brown beard of his, pale as death itself. I can__ say now if it was weakness from his wounds or what it was _ but we struggled to understand him. In fact we got nothing intelligible from him at all then. He seemed afraid, like any dying man probably would be, but he did seem more terrified than any dying man I__e seen before _ and I__e seen a few in my time. Let me tell you, Corsair or not, he grabbed whatever hand would hold his, and clenched it so tight his knuckles turned white! He kept fading out as we carried him on the stretcher board the medics brought with them. Looking back, I think he tried to warn us, poor bastard. He tried to tell us to leave him behind and go, but we wouldn__ listen. We thought we were better than the Corsairs, remember? We thought we would be all moral and upright and try to help him. __on__ say I didn__ warn you._ were the last words he said before losing consciousness. At least, those that we could make out. At the end of it all, he was right _ as it turned out, we couldn__ even help ourselves.
...The editors of (i)Life(i) rejected Kerész'a photographs when he arrived in the United States in 1937 because, they said, his images 'spoke too much'; they made us reflect, suggested a meaning _ a different meaning from the literal one. Ultimately, Photography is subversive not when it frightens, repels, or even stigmatizes, but when it is (i)pensive(i), when it thinks.
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...The editors of (i)Life(i) rejected Kerész'a photographs when he arrived in the United States in 1937 because, they said, his images 'spoke too much'; they made us reflect, suggested a meaning _ a different meaning from the literal one. Ultimately, Photography is subversive not when it frightens, repels, or even stigmatizes, but when it is (i)pensive(i), when it thinks.
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I am happy.I have something to accomplish, create, and achieve.I am happy.
Sometimes, all you can take are memoriesBut if you__e lucky enough to capture the moment,it lives forever, immortally fixed.
Anyone can take a picture of poverty; it__ easy to focus on the dirt and hurt of the poor. It__ much harder__nd much more needful__o pry under that dirt and reveal the beauty and dignity of people that, but for their birth into a place and circumstance different from our own, are just like ourselves. I want my images to tell the story of those people and to move us beyond pity to justice and mercy.
I trust only you and the dark always to look at me so honestly.
To the European, it is a characteristic of the American culture that, again and again, one is commanded and ordered to 'be happy.' But happiness cannot be pursued; it must ensue. One must have a reason to 'be happy.' Once the reason is found, however, one becomes happy automatically. As we see, a human being is not one in pursuit of happiness but rather in search of a reason to become happy, last but not least, through actualizing the potential meaning inherent and dormant in a given situation.