A "positive, open consciousness" means looking at something as it is, without coating it in your own ideas or emotions and, furthermore, looking for hope and potential I in it. Thus, when you consciousness is open, you can communicate easily with another person and accept positively that person's actions or suggestions. An open person fundamentally has respect for all life. Additionally, that person readily accesses cosmic information, because the door of their consciousness is open and they are able to receive needed ideas and inspiration easily This leads to new creation.
Do you know what sentence of his (Wordsworth) I admire the most? It is "The bright day is done, and we are for the dark." I wish I'd known those words on the day I watched those German troops land, plane-load after plane-load of them--and come off ships down in the harbor! All I could think of was damn them, damn them, over and over. If I could have thought the words __he bright day is done and we are for the dark,_ I__ have been consoled somehow and ready to go out and contend with circumstance__nstead of my heart sinking to my shoes.
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Do you know what sentence of his (Wordsworth) I admire the most? It is "The bright day is done, and we are for the dark." I wish I'd known those words on the day I watched those German troops land, plane-load after plane-load of them--and come off ships down in the harbor! All I could think of was damn them, damn them, over and over. If I could have thought the words __he bright day is done and we are for the dark,_ I__ have been consoled somehow and ready to go out and contend with circumstance__nstead of my heart sinking to my shoes.
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The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.