I look forward to an America which will not be afraid of grace and beauty

The highest duty of the writer is to remain true to himself and let the chips fall where they may. In serving his vision of the truth the artist best serves his nation.

Racism is both overt and covert. It takes two, closely related forms: individual whites acting against individual blacks, and acts by the total white community against the black community. We call these individual racism and institutional racism. The first consists of overt acts by individuals, which cause death, injury or the violent destruction of property. This type can be recorded by television cameras; it can frequently be observed in the process of commission. The second type is less overt, far more subtle, less identifiable in terms of specific individuals committing the acts. But it is no less destructive of human life. The second type originates in the operation of established and respected forces in the society, and thus receives far less public condemnation than the first type. When white terrorists bomb a black church and kill five black children, that is an act of individual racism, widely deplored by most segments of the society. But when in that same city - Birmingham, Alabama - five hundred black babies die each year because of the lack of proper food, shelter and medical facilities, and thousands more are destroyed and maimed physically, emotionally and intellectually because of conditions of poverty and discrimination in the black community, that is a function of institutional racism. When a black family moves into a home in a white neighborhood and is stoned, burned or routed out, they are victims of an overt act of individual racism which many people will condemn - at least in words. But it is institutional racism that keeps black people locked in dilapidated slum tenements, subject to the daily prey of exploitative slumlords, merchants, loan sharks and discriminatory real estate agents. The society either pretends it does not know of this latter situation, or is in fact incapable of doing anything meaningful about it.

Notwithstanding the memories of slavery, and in the face poverty, ignorance, terrorism, and subjugation still deeply woven into their lives, the embittered past of blacks was taken onto a much higher plane of intellectual and artistic consideration during the Renaissance.

The rig began shaking like caffeine withdrawal." --Opening sentence of THE FURY. "The duct-taped Buick swam north on Rush Street, hunting whores like a lesser white shark." --First sentence of Chapter One, THE FURY

It is not always easy. Your successes are unheralded -- your failures are trumpeted. I sometimes have that feeling my