In the centre of Bond was a hurricane-room, the kind of citadel found in old-fashioned houses in the tropics. These rooms are small, strongly built cells in the heart of the house, in the middle of the ground floor and sometimes dug down into its foundations. To this cell the owner and his family retire if the storm threatens to destroy the house, and they stay there until the danger is past. Bond went to his hurricane room only when the situation was beyond his control and no other possible action could be taken. Now he retired to this citadel, closed his mind to the hell of noise and violent movement, and focused on a single stitch in the back of the seat in front of him, waiting with slackened nerves for whatever fate had decided for B. E. A. Flight No. 130.

My mind held fast to that hot morning and the moment of coolness in the cabin. I could so easily re-enact every moment. Again-why had I gone back to exchange the beautiful charts at that precise moment? How many times would I, in whatever innocence, be compelled to choose the right time?

It was possible that I'd thrown one too many Molotov cocktails over God's fence.

...The means of choice:She might choose to ascendThe falling dream,By some angelic power without a nameReverse the motion, plunge into upwardness,Know height without an end,Density melt to air, silence yield a voice--Within her fall she felt the pull of Grace.

Fate is the malevolent little jester sitting up in the heavens and pondering over how ridiculous we humans are and he does his best to make fools out of all of us. And sooner or later he succeeds.

Here I can become the blessing, a little life that multiplies joy, making the larger world a better place.God can enter into me, even me, and use these hands, these feet, to be His love, a love that goes on and on and on forever, endless cycle of grace.