The viewpoint character in each story is usually someone trapped in a living nightmare, but this doesn't guarantee that we and the protagonist are at one. In fact Woolrich often makes us pull away from the person at the center of the storm, splitting our reaction in two, stripping his protagonist of moral authority, denying us the luxury of unequivocal identification, drawing characters so psychologically warped and sometimes so despicable that a part of us wants to see them suffer. Woolrich also denies us the luxury of total disidentification with all sorts of sociopaths, especially those who wear badges. His Noir Cop tales are crammed with acts of police sadism, casually committed or at least endorsed by the detective protagonist. These monstrosities are explicitly condemned almost never and the moral outrage we feel has no internal support in the stories except the objective horror of what is shown, so that one might almost believe that a part of Woolrich wants us to enjoy the spectacles. If so, it's yet another instance of how his most powerful novels and stories are divided against themselves so as to evoke in us a divided response that mirrors his own self-division.("Introduction")

If we loved Steve Aylett, really loved him in the way that he deserves, a selfless love that genuinely wanted nothing save his happiness and comfort, we'd lobotomise him.

One thing that's good about procrastination is that you always have something planned for tomorrow

The streak of bleach in my hair is as obvious as ever. Am I really going out in public like this? I push my hair backward and forward a few times - but I can't hide it. Maybe I could walk along with my hand carelessly positioned at my head, as if I'm thinking hard. I attempt a few casual, pensive poses in the mirror."Is your head all right?"I swivel round in shock to see Nathaniel at the open door, wearing a plaid shirt and jeans."Er...fine," I say, my hand still glued to my head. "I was just..."Oh, there's no point. I bring my hand down from my hair and Nathaniel regards the streak for a moment."It looks nice," he says. "Like a badger.""A badger?" I say, affronted. "I don't look like a badger.""Badgers are beautiful creatures," says Nathaniel with a shrug. "I'd rather look like a badger than a stoat.

A reputation for money is almost as negotiable as money itself.

Any day above ground is a good day.