His body walks out onto the darkened stage , and a roar goes up from the crowd. He stands in front of the mic, and he can feel his face twist in a sneer-the Elvis sneer from his dreams-though he never told it to move. He is powerless now, a spectator at his own moment of glory.

It was at the outskirts of the world that the Old Things accumulated, like driftwood round the edges of the sea. ("The Troll")

Evil should not be, Detective Vera. Truly never can be. But in defining it as such, an inherent human bond with negativity confirms its very existence. Its mere acknowledgement cancels its credibility. Evil is nothing__he lack of anything of substance_ made concrete as a balance to everything else. Evil is not, yet it is a part ofeach human, because humans welcome its participation in their lives. They speak of it in anger or disgust, fear or even wonder_ the most appropriate response_ giving it a stronger foundation with every passing thought it distorts. Though within their pliable minds, they welcome it with the glee of the ignorant, nurturing the unthinkable, thinking the unimaginable, imagining the most horrid, abysmal designs, embellishing them with an insidious veracity until evil is as substantial a reality as their next breath. I strive for something else, beyond evil__ claustrophobic clutches. I strive to transcend evil by becoming pure nothing. I strive as my followers strived._ He paused, his ideology a cancer, spreading_ __ am, yet I strive to not be. Do you understand, comrade?_ His tone suggested fellowship, disciples of the same obscene religion. ...

Such ordeals always strike one with their strangeness, their digression from the normal flow of events, and often provoke a universal protest: "Why me?" Be sure that this is not a question but an outcry. The person who screams it has been instilled with an astonishing suspicion that he, in fact, has been the perfect subject for a very specific "weird," a tailor-made fate, and that a prior engagement, in all its weirdness, was fulfilled at the appointed time and place.

Many writers make the mistake of making their readers appear like Lazarus, without any iota of care, throwing down books to readers to crunch as if they are dogs.

Writers,_ Esther said simply. __or some reason, a lot of you reject what you hear and see in your heads. If you go too long ignoring it, it builds up and then you do all sorts of weird things. Mumble to yourself. Nightmares. Daydreams. Total anarchy and chaos. Before you know it, the writer is either sitting in a corner feverishly humming to his- or herself or on Prozac.