Hidden in a toolbox, in the rafters of his four-car garage, was an envelope full of pictures taken by a private detective...They were pictures of a scrawny, boyish looking nine year old with a wide mouth and a tangle of brown hair...Her eyes were oblong and deep set, their color hidden from the camera by the slant of the sun. The angles and planes of her face were oddly beautiful just then, in that moment, frozen on Kodak paper. A hint of the woman she would someday become.
In her eyes was the reflection of everything that mattered: old diners with neon signs, vinyl records, celluloid film, drive-in movies, Pears soap, department stores, her brother__ old blue Camaro car and the smell of coal dust in the rainy sky of a summer lightning storm._And all the nice bright colors of the past that she thought were gone for good came flowing back into her life like a wave of nostalgia flooding over her, reds, yellows, blues and greens drenching her gray memories in psychedelic ribbons and glittering fireworks._She hoped that the world would always hold those miniscule yet beautiful, deep and mysterious traces of memory.
Quote Detail
In her eyes was the reflection of everything that mattered: old diners with neon signs, vinyl records, celluloid film, drive-in movies, Pears soap, department stores, her brother__ old blue Camaro car and the smell of coal dust in the rainy sky of a summer lightning storm._And all the nice bright colors of the past that she thought were gone for good came flowing back into her life like a wave of nostalgia flooding over her, reds, yellows, blues and greens drenching her gray memories in psychedelic ribbons and glittering fireworks._She hoped that the world would always hold those miniscule yet beautiful, deep and mysterious traces of memory.
Quick Answer
What this quote page tells you
This canonical quote page keeps the full saying, the attributed author, any linked work, and the topic tags together so the quote can be cited from one stable URL.
Related Quotes
More quote cards from the same area
Horror immobolizes us because it is made of contradictory feelings: fear and seduction, repulsion and attraction. Horror is a fascination...Horror is immobility, the great yawn of empty space, the womb and the hole in the earth, the universal Mother and the great garbage heap...With horror we cannot have recourse to flight or combat, there remains only Adoration or Exorcism.
The Earth was not dead. She had been sick, yes, weakened by an infestation. Now she was ridding herself of it. For those who remained alive the choice was a simple one, whether they realised it yet or not: Work with the land-- respect it and give back to it-- or die.
Art is inextricably tied to man's survival - not to his physical survival, but to that on which his physical survival depends: to the preservation and survival of his consciousness.
Was it possible to feel nostalgic about something that had never happened to him, possible for nostalgia to be taken in by the body as a free pathogen to infect the consciousness with stray sentiments? Perhaps, in his dreams, he had traveled back in time, or even drifted into another dimension of space-time and inhabited the body, experiences, and nostalgia of another. To even envisage so allowed the trauma of those lost moments, though not his own, to draw from him a certain envy for the entity in whose memories he had basked vicariously. . .Perhaps, nostalgia was a microorganism. . .the bacterium that infected. . . Yes. . .maybe he was sick.
You must not forget that when you think of yourself as special__ou really are__ou should think of the other people in a similar way. Everybody is special you meet during your life, everyone who has lived and lives on Earth.