Hidden in a toolbox, in the rafters of his four-car garage, was an envelope full of pictures taken by a private detective...They were pictures of a scrawny, boyish looking nine year old with a wide mouth and a tangle of brown hair...Her eyes were oblong and deep set, their color hidden from the camera by the slant of the sun. The angles and planes of her face were oddly beautiful just then, in that moment, frozen on Kodak paper. A hint of the woman she would someday become.
She is the force, that you end upreading about in thick novels. She is the kind of woman, you adore,for being so content with messy hair.She is the kind, who woulddecline whatever the mankind would exalt-and redesign everything that isinclined to remind herof how strongly, the society wants her confined.To this girl, on a romantic date,he asked the question inaccurate-"Honey, why do you always take the roadthat is so untold, hard and loathed?"She thought of giving him a second chance,and resisting any anger-loaded advance,She replied, "Why do you speculate, that I choose my fate,imagining there are two roads?
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She is the force, that you end upreading about in thick novels. She is the kind of woman, you adore,for being so content with messy hair.She is the kind, who woulddecline whatever the mankind would exalt-and redesign everything that isinclined to remind herof how strongly, the society wants her confined.To this girl, on a romantic date,he asked the question inaccurate-"Honey, why do you always take the roadthat is so untold, hard and loathed?"She thought of giving him a second chance,and resisting any anger-loaded advance,She replied, "Why do you speculate, that I choose my fate,imagining there are two roads?
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The revolutionary woman knows the world she seeks to overthrow is precisely one in which love between equal human beings is well nigh impossible. We are still part of the ironical working-out of this, our own cruel contradiction. One of the most compelling facts which can unite women and make us act is the overwhelming indignity or bitter hurt of being regarded as simply __he other_, __n object_, __ommodity_, __hing_. We act directly from a consciousness of the impossibility of loving or being loved without distortion. But we must still demand now the preconditions of what is impossible at the moment. It is a most disturbing dialectic, our praxis of pain.
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What happened tonight won't change a thing.""You're mistaken, Lila. Everything started changing the moment we met.
I'm going to own your body, Lila, because you f*cking own mine.