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Refusing the false securities of a stable and linear past, such an approach celebrates heterogeneous sensations and surprising associations, random connections, the ongoing construction of meaning and also admits into its orbit the mysterious agency of artifacts, space and non-humans from the past.
Tim Edensor Industrial Ruins: Space, Aesthetics and Materiality
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Refusing the false securities of a stable and linear past, such an approach celebrates heterogeneous sensations and surprising associations, random connections, the ongoing construction of meaning and also admits into its orbit the mysterious agency of artifacts, space and non-humans from the past.
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Tim Edensor

Industrial Ruins: Space, Aesthetics and Materiality

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They told of dripping stone walls in uninhabited castles and of ivy-clad monastery ruins by moonlight, of locked inner rooms and secret dungeons, dank charnel houses and overgrown graveyards, of footsteps creaking upon staircases and fingers tapping at casements, of howlings and shriekings, groanings and scuttlings and the clanking of chains, of hooded monks and headless horseman, swirling mists and sudden winds, insubstantial specters and sheeted creatures, vampires and bloodhounds, bats and rats and spiders, of men found at dawn and women turned white-haired and raving lunatic, and of vanished corpses and curses upon heirs.