Despite the horror, we survivors were endowed with a will to survive. Or instinct. Or maybe it was faith.
You can have tons of talent, but it won't necessarily keep you fed. If you have sharp instincts, through, you'll never go hungry.
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You can have tons of talent, but it won't necessarily keep you fed. If you have sharp instincts, through, you'll never go hungry.
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The creative process is a cocktail of instinct, skill, culture and a highly creative feverishness. It is not like a drug; it is a particular state when everything happens very quickly, a mixture of consciousness and unconsciousness, of fear and pleasure, it's a little like making love, the physical act of love.
In this world, there is no absolute good, no absolute evil," the man said. "Good and evil are not fixed, stable entities but are continually trading places. A good may be transformed into an evil in the next second. And vice versa. Such was teh way of the world that Dostoevksy depicted in The Brothers Karamazov. The most important thing is to maintain the balance between the constantly moving good and evil. If you lean too much in either direction, it becomes difficult to maintain actual morals. Indeed, balance itself is the good.
That same moment he ordered the hateful portrait taken out. But that did not calm his inner agitation: all his feelings and all his being were shaken to their depths, and he came to know that terrible torment which, by way of a striking exception, sometimes occurs in nature, when a weak talent strains to show itself on too grand a scale and fails; that torment which gives birth to great things in a youth, but, in passing beyond the border of dream, turns into a fruitless yearning; that dreadful torment which makes a man capable of terrible evildoing.
In this world, there is no absolute good, no absolute evil," the man said. "Good and evil are not fixed, stable entities but are continually trading places. A good may be transformed into an evil in the next second. And vice versa. Such was the way of the world that Dostoevksy depicted in The Brothers Karamazov. The most important thing is to maintain the balance between the constantly moving good and evil. If you lean too much in either direction, it becomes difficult to maintain actual morals. Indeed, balance itself is the good.
I hurt myself deeply, though at the time I had no idea how deeply. I should have learned many things from that experience, but when I look back on it, all I gained was one single, undeniable fact. That ultimately I am a person who can do evil. I never consciously tried to hurt anyone, yet good intentions notwithstanding, when necessity demanded, I could become completely self-centred, even cruel. I was the kind of person who could, using some plausible excuse, inflict on a person I cared for a wound that would never heal.