Joseph Conrad

We live as we dream--alone....

Liberty of imagination should be the most precious possession of a novelist. To try voluntarily to discover the fettering dogmas of its own inspiration, is a trick worthy of humna perverseness which, after inventing an absurdity, endeavours to find for it a pedigree of distinguished ancestors...

There werethings, he said mournfully, that perhaps could never be told, only hehad lived so much alone that sometimes he forgot--he forgot. The lighthad destroyed the assurance which had inspired him in the distantshadows.

One must not make too much of anything in life, good or bad.

I remember my youth and the feeling that will never come back any more /the feeling that I could last for ever, outlast the sea, the earth, and all men; the deceitful feeling that lures us on to joys, to perils, to love, to vain effort /to death; the triumphant conviction of strength, the heat of life in the handful of dust, the glow in the heart that with every year grows dim, grows cold, grows small, and expires /and expires, too soon, too soon /before life itself

There are the girls we love, the men we look up to, the tenderness, the friendships, the opportunities, the pleasures! But the fact remains that you must touch your reward with clean hands, lest it turn to dead leaves, to thorns, in your grasp.

There are many shades in the danger of adventures and gales, and it is only now and then that there appears on the face of facts a sinister violence of intention- that indefinable something which forces it upon the mind and the heart of a man, that this complication of accidents or these elemental furies are coming at him with a purpose of malice, with a strength beyond control, with an unbridled cruelty that means to tear out of him his hope and his fear, the pain of his fatigue and his longing for rest: which means to smash, to destroy, to annihilate all he has seen, known, loved, enjoyed, or hated; all that is priceless and necessary- the sunshine, the memories, the future,- which means to sweep the whole precious world utterly away from his sight by the simple and appalling act of taking his life.

He did not care what the end would be, and in his lucid moments overvalued his indifference. The danger, when not seen, has the imperfect vagueness of human thought. The fear grows shadowy; and Imagination, the enemy of men, the father of all terrors, unstimulated, sinks to rest in the dullness of exhausted emotion.

Even extreme grief may ultimately ventitself in violence--but more generally takes the form of apathy

There is a weird power in a spoken word.

...his words - the gift of expression, the bewildering, the iluminating, the most exalted and the most contemptible, the pulsating stream of light or the deceitful flow from the heart of an impenetrable darkness.

All this happened in much less time than it takes to tell, since I am trying to interpret for you into slow speech the instantaneous effect of visual impressions.

I saw only the reality of his destiny, which he had knownhow to follow with unfaltering footsteps, that life begun in humblesurroundings, rich in generous enthusiasms, in friendship, love, war--inall the exalted elements of romance.

It was not my strength that wanted nursing, it was my imagination that wanted soothing.

Over the lives borne from under the shadow of death there seems to fall the shadow of madness.

Fiction, at the point of development at which it has arrived, demands from the writer a spirit of scrupulous abnegation.The only legitimate of all the irreconcilable antagonisms that make our life so enigmatic, so burdensome, so fascinating, so dangerous--so full of hope. They exist! And this is the only fundamental truth of fiction.

He was there below me, and, upon my word, to look at him was as edifying as seeing a dog in a parody of breeches and a featherhat, walking on his hind legs.

There is a taint of death, a flavour of mortality in lies - which is exactly what I hate and detest in the world - what I want to forget.