Ursula K. Le Guin

Critics and academics have been trying for forty years to bury the greatest work of imaginative fiction in English. They ignore it, they condescend to it, they stand in large groups with their backs to it - because they're afraid of it. They're afraid of dragons. They have Smaugophobia. "Oh those awful Orcs," they bleat, flocking after Edmund Wilson. They know if they acknowledge Tolkien they'll have to admit that fantasy can be literature, and that therefore they'll have to redefine what literature is. And they're too damned lazy to do it.

There's a saying," Aeneas said: "Keep an eye on Greeks when they offer gifts." He spoke wryly. "Horses, particularly.

Belief in the lie is the life of the lie.

Without language, they have no lies. Thus they have no future.

What was and what may be lie, like children whose faces we cannot see, in the arms of silence. All we have is here, now.

If the rowan's roots are shallow, it bears no crown.

When I was young, I had to choose between the life of being and the life of doing. And I leapt at the latter like a trout to a fly. But each deed you do, each act, binds you to itself and to its consequences, and makes you act again and yet again. Then very seldom do you come upon a space, a time like this, between act and act, when you may stop and simply be. Or wonder who, after all, you are.

A man does not make his destiny: he accepts it or denies it.

Why are my sons followed thus by darkness?'...'Because they were born in the house of flesh, therefore death follows at their heels.

To see that your life is a story while you're in the middle of living it may be a help to living it well.

But you're so strong. I wish I were strong. I just like eating.

To see a candle's light one must take it into a dark place.

He recognized that need, in Odonian terms, as his "cellular function." the analogic term for the individual's individuality, the work he can do best, therefore his best contribution to his society. A healthy society would let him exercise that optimum function freely, in the coordination of all such functions finding its adaptability and strength. That was a central idea of Odo's Analogy. That the Odonian society on Anarres had fallen short of the ideal did not, in his eyes, lessen his responsibility to it; just the contrary. With the myth of the State out of the way, the real mutuality and reciprocity of society and the individual became clear. Sacrifice mught be demanded of the individual, but never compromise: for though only the society could give security and stability, only the individual, the person, had the power of moral choice -- the power of change, the essential function of life. The Odonian society was conceived as a permanent revolution, and revolution begins in the thinking mind

Odo had not tried to renew the basic relationships of music, when she renewed the relationships of men. She had always respected the necessary. The Settlers of Anarres had left the laws of man behind them, but had brought the laws of harmony along.

Suffering is the condition on which we live. And when it comes you know it. You know it as the truth. Of course it's right to cure diseases, to prevent hunger and injustice, as the social organism does. But no society can change the nature of its existence. We can't prevent suffering. This pain and that pain, yes, but not Pain. A society can only relieve social suffering - unnecessary suffering. The rest remains. The root, the reality.

We are not subjects of a State founded upon law, but members of a society founded upon revolution. Revolution is our obligation: our hope of evolution. The Revolution is in the individual spirit, or it is nowhere. It is for all, or it is nothing. If it is seen as having any end, it will never truly begin.

The king was pregnant.

The part of the tradition that I knew best was mostly written (or rewritten for children) in England and northern Europe. The principal characters were men. If the story was heroic, the hero was a white man; most dark-skinned people were inferior or evil. If there was a woman in the story, she was a passive object of desire and rescue (a beautiful blond princess); active women (dark, witches) usually caused destruction or tragedy. Anyway, the stories weren__ about the women. They were about men, what men did, and what was important to men.