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WINTER SPOILER - KINDA IDRKCinder looked away. Though so much had changed between them since that night, it still felt like an ice pick in her heart when she remembered the way he'd looked at her, and his horrified words: You're even more painful to look at than she is.
Marissa Meyer Winter
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WINTER SPOILER - KINDA IDRKCinder looked away. Though so much had changed between them since that night, it still felt like an ice pick in her heart when she remembered the way he'd looked at her, and his horrified words: You're even more painful to look at than she is.

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The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.

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