People see the cleverness of nature and suppose it's the cleverness of the animal itself but it was obvious to me that each and every segment of the animal isn't aware. How much I'd hate to live totally unaware of myself, I thought. What would be the point of living, of existing, if you weren't ever to know about it? I looked at the Fox Moth and pitied it, poor unconscious creature. But then, I supposed, at least it wouldn't be disappointed. It would never find out.

The creative process is a cocktail of instinct, skill, culture and a highly creative feverishness. It is not like a drug; it is a particular state when everything happens very quickly, a mixture of consciousness and unconsciousness, of fear and pleasure, it's a little like making love, the physical act of love.

We are beasts, you know, beasts risen from the savannas and jungles and forests. We have come down from the trees and up out of the water, but you can never, ever fully remove the feral nature from our psyches.

If a culture is good or evil, it is only because of its carriers.

People never like pollution, it has become very wrong to like pollution at all. But just like there are good and bad things about people, there are good and bad things about pollution. If people were pollution we would get rid of anyone who was different, anyone who was considered an inconvenience_ but we__ be getting rid of a life, a lot of lives_ because we didn__ like them. If pollution was a person would we still be trying to get rid of it? Would we have environmentalists still complaining and protesting and trying to get rid of all pollution?

Evil is ancient, unchanging, and with us always. The more postmodern the West becomes _ affluent, leisured, nursed on moral equivalence, utopian pacifism, and multicultural relativism _ the more premodern the evil among us seems to arise in nihilistic response.