A mind is a simulation that simulates itself.

Any time someone gives you drugs, the purpose is to subdue. Always. Whether it is from a dealer, a friend, your mother/brother/sister/son, or your government--especially your government--the intention is to subdue, and always to feed another motive. Why? Because in getting high, your power and your intellect are blunted. Can the motive ever be in your best interests? Governments notoriously use sex, drink, and drugs to subdue their people. Notoriously. And we're falling for it.

Our actions are the results of our intentions and our intelligence.

The line of head is strong, but the line of heart is weak. And most importantly, the line of life is short. The stars do not seem to be right.

Apparently, now, though, we writers and artists are not allowed to give offence. We must not question, criticise or insult the other, for fear of being hounded and murdered. These days a writer without bodyguards can hardly be considered serious. A bad review is the least of our problems.

Who can think of Larkin now without considering his fondness for the buttocks of schoolgirls and paranoid hatred of blacks _ Or Eric Gill__ copulations with more or less every member of his family, including the dog? Proust had rats tortured, and donated his family furniture to brothels; Dickens walled up his wife and kept her from her children; Lillian Hellman lied. While Sartre lived with his mother, Simone de Beauvoir pimped babes for him; he envied Camus, before trashing him. John Cheever loitered in toilets, nostrils aflare, before returning to his wife. P.G. Wodehouse made broadcasts for the Nazis; Mailer stabbed his second wife. Two of Ted Hughes__ lovers had killed themselves. And as for Styron, Salinger, Saroyan _ Literature was a killing field; no decent person had ever picked up a pen.