You stole my story and something's got to be done about it.
And then, unbidden, seemingly out of nowhere, a thought or image arrives. Some will float into your head like goldfish, lovely, bright, orange, and weightless, and you follow them like a child at an aquarium that was thought to be without fish. Others will step of the shadows like Boo Radley and make you catch your breath or take a step backward. They're often so rich, these unbidden thoughts, and so clear that they feel indelible. But I say write them all down anyway.
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And then, unbidden, seemingly out of nowhere, a thought or image arrives. Some will float into your head like goldfish, lovely, bright, orange, and weightless, and you follow them like a child at an aquarium that was thought to be without fish. Others will step of the shadows like Boo Radley and make you catch your breath or take a step backward. They're often so rich, these unbidden thoughts, and so clear that they feel indelible. But I say write them all down anyway.
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To dive in the darkness, I should dive in the truth, then in images of the world..., then facts, then in books, then listening, then in short stories... that's how I write the horror. It's very complicated.
I have sat here at my desk, day after day, night after night, a blank sheet of paper before me, unable to lift my pen, trembling and weeping too.
True, the initial ideas are in general those of an individual, but the establishment of the reality and truth is in general the work of more than one person.
Writing to corroborate what you already think is the essence of bad writing.
In a country of ideas, consciousness is its' citizen.