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What are the years from twenty to forty? Fettered and bound by personal and emotional relationships. That's bound to be. That's living. But later there's a new stage. You can think, observe life, discover something about other people and the truth about yourself. Life becomes real--significant. You see it as a whole. Not just one scene--the scene you, as an actor, are playing. No man or woman is actually himself (or herself) till after forty-five. That's when individuality has a chance.
Agatha Christie The Regatta Mystery and Other Stories
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What are the years from twenty to forty? Fettered and bound by personal and emotional relationships. That's bound to be. That's living. But later there's a new stage. You can think, observe life, discover something about other people and the truth about yourself. Life becomes real--significant. You see it as a whole. Not just one scene--the scene you, as an actor, are playing. No man or woman is actually himself (or herself) till after forty-five. That's when individuality has a chance.
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Agatha Christie

The Regatta Mystery and Other Stories

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Nowadays, no one believes in evil. It is considered, at most, a mere negation of good. Evil, people say, is done by those who know no better - who are undeveloped - who are to be pitied rather than blamed. But, M. Poirot, evil is real! It is a fact! I believe in Evil as I believe in Good. It exists! It is powerful! It walks the earth!' He stopped. His breath was coming fast. He wiped his forehead with his handkerchief and looked suddenly apologetic. 'I'm sorry. I got carried away.

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More than once have I thought, Why does crime, even when as powerful as Cæsar, and assured of being beyond punishment, strive always for the appearances of truth, justice, and virtue? Why does it take the trouble? I consider that to murder a brother, a mother, a wife, is a thing worthy of some petty Asiatic king, not a Roman Cæsar; but if that position were mine, I should not write justifying letters to the Senate. But Nero writes. Nero is looking for appearances, for Nero is a coward. But Tiberius was not a coward; still he justified every step he took. Why is this? What a marvellous, involuntary homage paid to virtue by evil! And knowest thou what strikes me? This, that it is done because transgression is ugly and virtue is beautiful. Therefore a man of genuine æsthetic feeling is also a virtuous man. Hence I am virtuous.