The revolutionary woman knows the world she seeks to overthrow is precisely one in which love between equal human beings is well nigh impossible. We are still part of the ironical working-out of this, our own cruel contradiction. One of the most compelling facts which can unite women and make us act is the overwhelming indignity or bitter hurt of being regarded as simply __he other_, __n object_, __ommodity_, __hing_. We act directly from a consciousness of the impossibility of loving or being loved without distortion. But we must still demand now the preconditions of what is impossible at the moment. It is a most disturbing dialectic, our praxis of pain.

You can't figure out why I'm mad? How about because I had my tongue between your legs two days ago, or the fact we both almost overdosed on orgasms, or maybe it's because I got a fucking hard on the minute you walked in that conference room door? Take your pick... there are a variety of reasons why I'm mad.

When a Wanderess has been caged, or perched with her wings clipped, She lives like a Stoic, She lives most heroic, smiling with ruby, moistened lips once her cup of Death is welcome sipped.

If you kiss me and then leave again to go write anothertwangy song,_ she said, eyes closed, lips barely moving, __ swear to God, I will snap that guitar in half and feed it to you for breakfast.___ou use the prettiest words.

A truly happy woman drives some men and almost every other woman absolutely crazy

Two separate beings, in different circumstances, face to face in freedom and seeking justification of their existence through one another, will always live an adventure full of risk and promise." (p. 248)