Hidden in a toolbox, in the rafters of his four-car garage, was an envelope full of pictures taken by a private detective...They were pictures of a scrawny, boyish looking nine year old with a wide mouth and a tangle of brown hair...Her eyes were oblong and deep set, their color hidden from the camera by the slant of the sun. The angles and planes of her face were oddly beautiful just then, in that moment, frozen on Kodak paper. A hint of the woman she would someday become.
The sea is not a whore, for she is free and joyous, but she is a woman. She obeys the moon, as women do, and her depths contain both treasures and horrors, and men try to bend her to their will and rarely succeed, no matter how much money they spend in the attempt. The sea does as she wishes, and anyone who would be her lover must be her partner, not her master.
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The sea is not a whore, for she is free and joyous, but she is a woman. She obeys the moon, as women do, and her depths contain both treasures and horrors, and men try to bend her to their will and rarely succeed, no matter how much money they spend in the attempt. The sea does as she wishes, and anyone who would be her lover must be her partner, not her master.
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The revolutionary woman knows the world she seeks to overthrow is precisely one in which love between equal human beings is well nigh impossible. We are still part of the ironical working-out of this, our own cruel contradiction. One of the most compelling facts which can unite women and make us act is the overwhelming indignity or bitter hurt of being regarded as simply __he other_, __n object_, __ommodity_, __hing_. We act directly from a consciousness of the impossibility of loving or being loved without distortion. But we must still demand now the preconditions of what is impossible at the moment. It is a most disturbing dialectic, our praxis of pain.
You sea! I resign myself to you also-I guess what you mean, I behold from the beach your crooked fingers, I believe you refuse to go back without feeling of me.We must have a turn together,I undress, hurry me out of sight of the land,Cushion me soft, rock me billowy drowse,Dash me with amorous wet, I can repay you.
When a Wanderess has been caged, or perched with her wings clipped, She lives like a Stoic, She lives most heroic, smiling with ruby, moistened lips once her cup of Death is welcome sipped.
A truly happy woman drives some men and almost every other woman absolutely crazy
On the sea he wished to meet it, if meet it he must. He was not sure why this was, yet he had a terror of meeting the thing again on dry land. Out of the sea there rise storms and monsters, but no evil powers: evil is of earth. And there is no sea, no running of river or spring, in the dark land where once Ged had gone. Death is the dry place.