When in the puppet-show of dreams we hold in hand the strings of quite a number of actors, controlling their actions and their speech, we are not aware of this being so. Only one of them is myself, the dreamer. In him I act and speak immediately, while I may be awaiting eagerly and anxiously what another one will reply
Yet I never sought what is real, yearned for the real, but rather I have yearned for dreams more than solid things. I can say I love the textures of dreams. The way they hover and almost taste. The clouds and darkness that linger behind, mostly unseen. And the palette of dreams. You can almost taste the colours, they seem as words on the tip of the tongue, unsayable as pomegranate seeds, unsayable as thick cream, the darkness of such a thick cream. This is why I am obsessed with dreams. They know what we cannot. Night after night they try and tell us the impossible. Dreams are secret and closed, and also contain everything, gushing, splayed open. Dream suitcases, carpetbags, hold-alls. They influence us secretly and they draw me to travel to nowhere, to beauty__ passage, through halls of mirrors where I know I am not myself, I know I am sublime.
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Yet I never sought what is real, yearned for the real, but rather I have yearned for dreams more than solid things. I can say I love the textures of dreams. The way they hover and almost taste. The clouds and darkness that linger behind, mostly unseen. And the palette of dreams. You can almost taste the colours, they seem as words on the tip of the tongue, unsayable as pomegranate seeds, unsayable as thick cream, the darkness of such a thick cream. This is why I am obsessed with dreams. They know what we cannot. Night after night they try and tell us the impossible. Dreams are secret and closed, and also contain everything, gushing, splayed open. Dream suitcases, carpetbags, hold-alls. They influence us secretly and they draw me to travel to nowhere, to beauty__ passage, through halls of mirrors where I know I am not myself, I know I am sublime.
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