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Imagination is not the exclusive appanage of artists, but belongs in varying degrees to all men.
George Henry Lewes
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Imagination is not the exclusive appanage of artists, but belongs in varying degrees to all men.

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We love men because they can never fake orgasms, even if they wanted to.Because they write poems, songs, and books in our honor.Because they never understand us, but they never give up.Because they can see beauty in women when women have long ceased to see any beauty in themselves.Because they come from little boys.Because they can churn out long, intricate, Machiavellian, or incredibly complex mathematics and physics equations, but they can be comparably clueless when it comes to women.Because they are incredible lovers and never rest until we__e happy.Because they elevate sports to religion.Because they__e never afraid of the dark.Because they don__ care how they look or if they age.Because they persevere in making and repairing things beyond their abilities, with the naïve self-assurance of the teenage boy who knew everything.Because they never wear or dream of wearing high heels.Because they__e always ready for sex.Because they__e like pomegranates: lots of inedible parts, but the juicy seeds are incredibly tasty and succulent and usually exceed your expectations.Because they__e afraid to go bald.Because you always know what they think and they always mean what they say.Because they love machines, tools, and implements with the same ferocity women love jewelry.Because they go to great lengths to hide, unsuccessfully, that they are frail and human.Because they either speak too much or not at all to that end.Because they always finish the food on their plate.Because they are brave in front of insects and mice.Because a well-spoken four-year old girl can reduce them to silence, and a beautiful 25-year old can reduce them to slobbering idiots.Because they want to be either omnivorous or ascetic, warriors or lovers, artists or generals, but nothing in-between.Because for them there__ no such thing as too much adrenaline.Because when all is said and done, they can__ live without us, no matter how hard they try.Because they__e truly as simple as they claim to be.Because they love extremes and when they go to extremes, we__e there to catch them.Because they are tender they when they cry, and how seldom they do it.Because what they lack in talk, they tend to make up for in action.Because they make excellent companions when driving through rough neighborhoods or walking past dark alleys.Because they really love their moms, and they remind us of our dads.Because they never care what their horoscope, their mother-in-law, nor the neighbors say.Because they don__ lie about their age, their weight, or their clothing size.Because they have an uncanny ability to look deeply into our eyes and connect with our heart, even when we don__ want them to.Because when we say __ love you_ they ask for an explanation.

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I have no idea how long Quisser was gone from the table. My attention became fully absorbed by the other faces in the club and the deep anxiety they betrayed to me, an anxiety that was not of the natural, existential sort but one that was caused by peculiar concerns of an uncanny nature. What a season is upon us, these faces seemed to say. And no doubt their voices would have spoken directly of certain peculiar concerns had they not been intimidated into weird equivocations and double entendres by the fear of falling victim to the same kind of unnatural affliction that had made so much trouble in the mind of the art critic Stuart Quisser. Who would be next? What could a person say these days, or even think, without feeling the dread of repercussion from powerfully connected groups and individuals? I could almost hear their voices asking, "Why here, why now?" But of course they could have just as easily been asking, "Why not here, why not now?" It would not occur to this crowd that there were no special rules involved; it would not occur to them, even though they were a crowd of imaginative artists, that the whole thing was simply a matter of random, purposeless terror that converged upon a particular place at a particular time for no particular reason. On the other hand, it would also not have occurred to them that they might have wished it all upon themselves, that they might have had a hand in bringing certain powerful forces and connections into our district simply by wishing them to come. They might have wished and wished for an unnatural evil to fall upon them but, for a while at least, nothing happened. Then the wishing stopped, the old wishes were forgotten yet at the same time gathered in strength, distilling themselves into a potent formula (who can say!), until one day the terrible season began. Because had they really told the truth, this artistic crowd might also have expressed what a sense of meaning (although of a negative sort), not to mention the vigorous thrill (although of an excruciating type), this season of unnatural evil had brought to their lives.("Gas Station Carnivals")

TL
Thomas Ligotti

The Nightmare Factory

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...hanging out does not make one an artist. A secondhand wardrobe does not make one an artist. Neither do a hair-trigger temper, melancholic nature, propensity for tears, hating your parents, nor even HIV - I hate to say it - none of these make one an artist. They can help, but just as being gay does not make one witty (you can suck a mile of cock, as my friend Sarah Thyre puts it, it still won't make you Oscar Wilde, believe me), the only thing that makes one an artist is making art. And that requires the precise opposite of hanging out; a deeply lonely and unglamorous task of tolerating oneself long enough to push something out.

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But the artist appeals to that part of our being which is not dependent on wisdom; to that in us which is a gift and not an acquisition_ and, therefore, more permanently enduring. He speaks to our capacity for delight and wonder, to the sense of mystery surrounding our lives; to our sense of pity, and beauty, and pain; to the latent feeling of fellowship with all creation_ and to the subtle but invincible conviction of solidarity that knits together the loneliness of innumerable hearts, to the solidarity in dreams, in joy, in sorrow, in aspirations, in illusions, in hope, in fear, which binds men to each other, which binds together all humanity_ the dead to the living and the living to the unborn.

JC
Joseph Conrad

The Nigger of the Narcissus