Our fiction is not merely in flight from the physical data of the actual world_it is, bewilderingly and embarrassingly, a gothic fiction, nonrealistic and negative, sadist and melodramatic _ a literature of darkness and the grotesque in a land of light and affirmation_our classic [American] literature is a literature of horror for boys
Social class. Class remains our national awkward topic, usually mumbled over in academic diversity workshops; indeed, most people don't know how to talk about class without automatically coupling it with race. That's because we Americans are loath to recognize that the sky's-the-limit potential we take as our birthright comes at a price far beyond what many Americans--of any race--can afford to pay.
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Social class. Class remains our national awkward topic, usually mumbled over in academic diversity workshops; indeed, most people don't know how to talk about class without automatically coupling it with race. That's because we Americans are loath to recognize that the sky's-the-limit potential we take as our birthright comes at a price far beyond what many Americans--of any race--can afford to pay.
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...that was the one distinct time in my life, the strangest moment of all, when I didn__ know who I was__ was far away from home, haunted and tired with travel, in a cheap hotel room I__ never seen, hearing the hiss of steam outside, and the creak of the old wood of the hotel, and footsteps upstairs, and all the sad sounds, and I looked at the cracked high ceiling and really didn__ know who I was for about fifteen strange seconds. I wasn__ scared; I was just somebody else, some stranger, and my whole life was a haunted life, the life of a ghost. I was halfway across America, at the dividing line between the East of my youth and the West of my future, and maybe that__ why it happened right there and then, that strange red afternoon.
I had spent many nights in the jungle looking for game, but this was the first time I had ever spent a night looking for a man-eater. The length of road immediately in front of me was brilliantly lit by the moon, but to right and left the overhanging trees cast dark shadows, and when the night wind agitated the branches and the shadows moved, I saw a dozen tigers advancing on me, and bitterly regretted the impulse that had induced me to place myself at the man-eater's mercy. I lacked the courage to return to the village and admit I was too frightened to carry out my self-imposed task, and with teeth chattering, as much from fear as from cold, I sat out the long night. As the grey dawn was lighting up the snowy range which Iwas facing, I rested my head on my drawn-up knees, and it was in this position my men an hour later found me fast asleep; of the tiger I had neither heard nor seen anything.
I am Orafoura, but you can call me Jarod Kintz. I__ fairly proud to proclaim that Dora J. Arod has me on her short list of __orld__ worst writers._ The list couldn__ get any shorter, because I__ the only name on it. I should tell her to stop calling it a list, and change the title to __orld__ worst writer._ If you__e wondering why I rate all my work one star, it__ because the rating system doesn__ have a zero star option, or better yet, go into negative numbers.
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I remember when Elvis died. I wrote my sentiments with words of a little girl in my dear diary, "Many people wanted to see his body. They literally wanted to dig his bones out just to make sure that he was being buried. And I could not understand why. Why people could not leave him alone and let his soul rest in peace." I couldn't get it. I didn't grasp it at that time. In a head of a little girl it was hard to believe that there were mysteries to be solved. That there ruled a conspiracy theory that people thought it was odd that he was buried and the casket was never opened. They didn't believe he was dead! Oh yes. Elvis Lives! And as the world needs his songs, his words, his thoughts, his love, his light more than ever before.