It is this outer reach of existential abnegation _ the moment where subjective identity deserts itself and becomes enslaved without consciousness of its subjugated condition _ that Mirbeau consistently sought to decry with horror.

The stuff of nightmare is their plain bread. They butter it with pain. They set their clocks by deathwatch beetles, and thrive the centuries. They were the men with the leather-ribbon whips who sweated up the Pyramids seasoning it with other people's salt and other people's cracked hearts. They coursed Europe on the White Horses of the Plague. They whispered to Caesar that he was mortal, then sold daggers at half-price in the grand March sale. Some must have been lazing clowns, foot props for emperors, princes, and epileptic popes. Then out on the road, Gypsies in time, their populations grew as the world grew, spread, and there was more delicious variety of pain to thrive on. The train put wheels under them and here they run down the log road out of the Gothic and baroque; look at their wagons and coaches, the carving like medieval shrines, all of it stuff once drawn by horses, mules, or, maybe, men.

What if the differences between social strata stem not from genomics or inherent xcellence or even dollars, but merely differences in knowledge? Would this not mean the whole Pyramid is built on shifting sands?" I speculated such a suggestion could be seen as a serious deviancy. Melphi seemed delited. "Try this for deviancy: fabricants are mirrors held up to purebloods' consciences; what purebloods see reflected there sickens them. So they blame you for holding up the mirror." I hid my shock by asking when purebloods might blame themselves. Melphi relplied, "History suggests, not until they are made to.

It is not solely or chiefly in virtue of the divine image that man effectively resembles God, but in virtue of his consciousness of being an image and the movement whereby the soul, passing in a way through itself, avails itself of the factual resemblance in order to attain to God.

We cannot tell that we are constantly splitting into duplicate selves because our consciousness rides smoothly along only one path in the endlessly forking chains

You sea! I resign myself to you also-I guess what you mean, I behold from the beach your crooked fingers, I believe you refuse to go back without feeling of me.We must have a turn together,I undress, hurry me out of sight of the land,Cushion me soft, rock me billowy drowse,Dash me with amorous wet, I can repay you.