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Quotes filed under art

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The power of the artform is stronger than stone, the poet says, and chooses the sonnet, a form concerned with argument and persuasion, to say so. This sonnet, he says, will last longer than any gravestone-and you'll be made shinier, brighter, by it. In this form it will-and therefore you will-avoid destruction by war, history, time generally; it'll even keep you alive after death; in fact it'll form a place for you to live, not die, where you'll be seen in the eyes of and the context of this love right to the end of time.

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People are fond of spouting out the old cliché about how Van Gogh never sold a painting in his lifetime. Somehow his example serves to justify to us, decades later, that there is merit in utter failure.Perhaps, but the man did commit suicide. The market for his work took off big-time shortly after his death. Had he decided to stick around another few decades he most likely would__e entered old age quite prosperous. And sadly for failures everywhere, the cliché would have lost a lot of its power.The fact is, the old clichés work for us in abstract terms, but they never work out in real life quite the same way. Life is messy; clichés are clean and tidy.

HM
Hugh MacLeod

Ignore Everybody: and 39 Other Keys to Creativity

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The minute we moved in (1712 North Crescent Heights), Dennis Hopper decided to give a party for Andy (Warhol), who was coming out to Los Angeles, and he decided that the one thing that would really make the house stand out, fabulously, would be billboards. So he papered the downstairs bathrooms with billboards. He had also decided that the food at the party would be hot dogs and chili. So we had a hot-dog stand! And Dennis had found huge papier-mâché Mexican figures with firecrackers hanging on them.

BH
Brooke Hayward

Dennis Hopper: The Lost Album: Vintage Prints from the Sixties

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Such terms as 'diagnosis' and 'pathology' are of course used analogically here, but I am using the word 'science' deliberate and unequivocally in its original and broad sense of discovery and knowing, rather than its conventional sense of isolating the secondary causes of natural phenomena. For if I believe anything, it is that the primary business of literature and art is cognitive, a kind of finding out and knowing and telling, both in good times and bad; a celebration of the way things are when they are right, and a diagnostic enterprise when they are wrong.