artists

Art translates human souls. Each passing eon__ public display of sophisticated hieroglyphics cast a unique depiction upon the rudimentary art of survival. Humankind cannot exist without the makeshift paradigm of innovative art, which genuine amoeba expresses elusive and unsayable thoughts. Humankind__ gallery of artistic impressions ranges from the starkness of personified cave drawings to the free ranging lexis of modern art. Collection of multihued stories of the ages portrays the vivid panoply of enigmatic vitas etched by humankind__ self-imposed sense of urgency. Each passing generation__ effusion of trope offerings seamlessly folds its shared renderings into the shimmering panorama of the cosmos, the sparkling nightscape that houses the intangible life force all communal souls.

He wanted to go home and lock his door and sleep. He was tired of the troubles of real people. He wanted to get back to the people he was inventing, whose troubles he could bear.

That friend of hers has got to go, though. You're lucky you got stuck with that Dexter guy instead of

The trouble is that we have a bad habit, encouraged by pedants and sophisticates, of considering happiness as something rather stupid. Only pain is intellectual, only evil interesting. This is the treason of the artist; a refusal to admit the banality of evil and the terrible boredom of pain.

Am reading the life of Mozart and cannot help thinking that one's capacity for suffering is in direct proportion to one's greatness.

For the modern consciousness, the artist (replacing the saint) is the exemplary sufferer. And among artists, the writer, the man of words, is the person to whom we look to be able best to express his suffering.

Dreamers dream the dream, Artists live it.

Art is the conscious making of numinous phenomena. Many objects are just objects - inert, merely utilitarian. Many events are inconsequential, too banal to add anything to our experience of life. This is unfortunate, as one cannot grow except by having one__ spirit greatly stirred; and the spirit cannot be greatly stirred by spiritless things. Much of our very life is dead. For primitive man, this was not so. He made his own possessions, and shaped and decorated them with the aim of making them not merely useful, but powerful. He tried to infuse his weapons with the nature of the tiger, his cooking pots with the life of growing things; and he succeeded. Appearance, material, history, context, rarity - perhaps rarity most of all - combine to create, magically, the quality of soul. But we modern demiurges are prolific copyists; we give few things souls of their own. Locomotives, with their close resemblance to beasts, may be the great exception; but in nearly all else with which today__ poor humans are filling the world, I see a quelling of the numinous, an ashening of the fire of life. We are making an inert world; we are building a cemetery. And on the tombs, to remind us of life, we lay wreaths of poetry and bouquets of painting. You expressed this very condition, when you said that art beautifies life. No longer integral, the numinous has become optional, a luxury - one of which you, my dear friend, are fond, however unconsciously. You adorn yourself with the same instincts as the primitive who puts a frightening mask of clay and feathers on his head, and you comport yourself in an uncommonly calculated way - as do I. We thus make numinous phenomena of ourselves. No mean trick - to make oneself a rarity, in this overpopulated age.

I have a transgressive spirit, and Pop is transgression's best friend.

Orpheus never liked words. He had his music. He would get a funny look on his face and I would say what are you thinking about and he would always be thinking about music.If we were in a restaurant sometimes Orpheus would look sullen and wouldn't talk to me and I thought people felt sorry for me. I should have realized that women envied me. Their husbands talked too much.But I wanted to talk to him about my notions. I was working on a new philosophical system. It involved hats.This is what it is to love an artist: The moon is always rising above your house. The houses of your neighbors look dull and lacking in moonlight. But he is always going away from you. Inside his head there is always something more beautiful.Orpheus said the mind is a slide ruler. It can fit around anything. Show me your body, he said. It only means one thing.

I also often ask my guests about what they consider to be their invisible weaknesses and shortcomings. I do this because these are the characteristics that define us no less than our strengths. What we feel sets us apart from other people is often the thing that shapes us as individuals. This may be especially true of writers and actors, many of whom first started to develop their observational skills as a result of being sidelined from typical childhood or adolescent activities because of an infirmity or a feeling of not fitting in. Or so I__e come to believe from talking to so many writers and actors over the years.

Spirit is a child, the tune of dancing feet its lullaby.

You might think of a thought as an invisible, innocuous little thing. Something that barely exists. But a thought is something hard to conceal. Hold a thought and it melts all over your hands. Touch something else and now you__e left traces of it. Hide it under your shirt and it bleeds through.

Sensitive people care when the world doesn't because we understand waiting to be rescued and no one shows up. We have rescued ourselves, so many times that we have become self taught in the art of compassion for those forgotten.

All of us had problems, it seemed, whose sources were untraceable, crossing over one another like the trajectories of countless raindrops in a storm, blending to create a fog of delusion and counter-delusion. Powerful forces and connections were undoubtedly at play, yet they seemed to have no faces and no names, and it was anybody's guess what we - a crowd of deluded no-talents - could have possibly done to offend them. We had been caught up in a season of hideous magic from which nothing could offer us deliverance.("Gas Station Carnivals")

A great magician is as divine as God and his stage is as majestic as the paradise.

As a general rule, in the world of magic, the most successful magician is the one who has enough patience to keep the secrets of his original magic effects.

The secret of good magic is another magic.