book

Telling stories with visuals is an ancient art. We've been drawing pictures on cave walls for centuries. It's like what they say about the perfect picture book. The art and the text stand alone, but together, they create something even better. Kids who need to can grab onto those graphic elements and find their way into the story.

I do not recall a Jewish home without a book on the table.

When I was eight, I would look at the cover of the 'Ghost Rider' comic book in my little home in Long Beach, California, and I couldn't get my head around how something that scary could also be good. To me it was my first philosophical awakening - 'How is this possible, this duality?'

I do 280 episodes of TV a year, write 15 recipes for the magazine, and publish an annual book. With all of that, we try to get one weekend a month with Isaboo at our home in the Adirondacks to relax and recharge.

I'm a bachelor in the old sense of the word, meaning I flirt, I have very many close relationships, but then I come home and like to read my book.

When it was suggested that I write a memoir I said, 'I'm not old enough. I'm not distinguished enough.' But I went home and sat down to write, and the material for the book just came flooding into my hands.

When I was 10 years old, I loved - I loved books, and I used to haunt the secondhand bookshop. And I found a little book I could just afford, and I bought it, and I took it home. And I climbed up my favorite tree, and I read that book from cover to cover. And that was Tarzan of the Apes. I immediately fell in love with Tarzan.

If I was a book, I would like to be a library book, so I would be taken home by all different sorts of kids.

A book is a product of a pact with the Devil that inverts the Faustian contract, he'd told Allie. Dr Faustus sacrificed eternity in return for two dozen years of power; the writer agrees to the ruination of his life, and gains (but only if he's lucky) maybe not eternity, but posterity, at least. Either way (this was Jumpy's point) it's the Devil who wins.

I've published one book before, and now I'm writing a book of essays and stories about life in Tokyo. And I have one book coming out in May in Germany, about fitness.

When I was 10, I asked my parents for a set of weights. I had my Charles Atlas book to go along with that. Every time we went to the grocery store, I'd rush to the magazine area and read the ones with Arnold Schwarzenegger and all those guys on the covers: 'Pumping Iron,' 'Muscle and Fitness,' 'Muscle Builder by Joe Weider.'

I resisted writing a book for a long time because I didn't want to invade anyone else's privacy or hurt anyone or anger anyone.

I thought it would be a funny concept to publish a book about stand-up comedy with Faber, the poetry publisher, and to apply to stand-up the same sort of weight of annotation that you would to a classic work of literature, an epic poem. I thought that would be funny.

I'd park myself in the bookstore and read with one eye on everyone coming in. I remember reading a Robert Bly book of poetry.

Everyone thinks they're going to write one book of poems or one novel.

I really love poetry. I'm a big E.E. Cummings fan and a big Walt Whitman fan, and I have a big book of poetry.

The difficulty with poetry is that it doesn't have the life that Shakespeare or Jane Austen have beyond the page. You can't make a costume drama out of it. There's no place for it to go except trapped inside its little book.

I've always had a love for poetry and when I got signed to a record label I thought, 'How odd that I'm doing a record before a book of poetry,'