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evening

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All that evening Nell sat alone in her bedroom trembling with curious satisfaction. For punishment Eva had been sent to her room without supper and Nell sat listening now to the even, steady sobs far off down the hall. It was dark and on the river shore a night bird tried its note cautiously against the silence. Down in the pantry, the dishes done, Suse and Jessie, dark as night itself, drank coffee by the great stove and mumbled over stories of the old times before the War. Nell fetched her smelling salts and sniffed the frosted stopper of the flowered bottle till the trembling stopped. ("Where The Woodbine Twineth")

DG
Davis Grubb

American Fantastic Tales: Terror and the Uncanny from the 1940's Until Now

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Now the evening's at its noon, its meridian. The outgoing tide has simmered down, and there's a lull-like the calm in the eye of a hurricane - before the reverse tide starts to set in.The last acts of the three-act plays are now on, and the after-theater eating places are beginning to fill up with early comers; Danny's and Lindy's - yes, and Horn & Hardart too. Everybody has got where they wanted to go - and that was out somewhere. Now everybody will want to get back where they came from - and that's home somewhere. Or as the coffee-grinder radio, always on the beam, put it at about this point: 'New York, New York, it's a helluva town, The Bronx is up, the Battery's down, And the people ride around in a hole in the ground.Now the incoming tide rolls in; the hours abruptly switch back to single digits again, and it's a little like the time you put your watch back on entering a different time zone. Now the buses knock off and the subway expresses turn into locals and the locals space themselves far apart; and as Johnny Carson's face hits millions of screens all at one and the same time, the incoming tide reaches its crest and pounds against the shore. There's a sudden splurge, a slew of taxis arriving at the hotel entrance one by one as regularly as though they were on a conveyor belt, emptying out and then going away again.Then this too dies down, and a deep still sets in. It's an around-the-clock town, but this is the stretch; from now until the garbage-grinding trucks come along and tear the dawn to shreds, it gets as quiet as it's ever going to get.This is the deep of the night, the dregs, the sediment at the bottom of the coffee cup. The blue hours; when guys' nerves get tauter and women's fears get greater. Now guys and girls make love, or kill each other or sometimes both. And as the windows on the 'Late Show' title silhouette light up one by one, the real ones all around go dark. And from now on the silence is broken only by the occasional forlorn hoot of a bogged-down drunk or the gutted-cat squeal of a too sharply swerved axle coming around a turn. Or as Billy Daniels sang it in Golden Boy: While the city sleeps, And the streets are clear, There's a life that's happening here.("New York Blues")

CW
Cornell Woolrich

Night and Fear: A Centenary Collection of Stories by Cornell Woolrich

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Although it was only six o'clock, the night was already dark. The fog, made thicker by its proximity to the Seine, blurred every detail with its ragged veils, punctured at various distances by the reddish glow of lanterns and bars of light escaping from illuminated windows. The road was soaked with rain and glittered under the street-lamps, like a lake reflecting strings of lights. A bitter wind, heavy with icy particles, whipped at my face, its howling forming the high notes of a symphony whose bass was played by swollen waves crashing into the piers of the bridges below. The evening lacked none of winter's rough poetry.

TG
Théophile Gautier

Hashish, Wine, Opium

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He liked however the open shutters; he opened everywhere those Mrs. Muldoon had closed, closing them as carefully afterwards, so that she shouldn't notice: he liked--oh this he did like, and above all in the upper rooms!--the sense of the hard silver of the autumn stars through the window-panes, and scarcely less the flare of the street-lamps below, the white electric lustre which it would have taken curtains to keep out. This was human actual social; this was of the world he had lived in, and he was more at his ease certainly for the countenance, coldly general and impersonal, that all the while and in spite of his detachment it seemed to give him.

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An Evening AirI go out in the grey eveningIn the air the odor of flowers and the sounds of lamentation.I go out into the hard loneliness of the barren field of grey eveningIn the air the odor of flowers and the sounds of lamentation.In the gathering darkness a long, swift train suddenly Passes me like a lighting.Hard and ponderous and loud are the wheels.As ponderous as the darkness, and as beautiful.I look on, enchanted, and listen to the sounds of lamentationIn the soft fragrant air.The long rails, grey-dark, smooth as a serpent, shiver, andA soft, low thing cries out in the distance,But the sounds are hard and heavy,In the air the odor of flowers and the sounds of lamentation.