One shouldn't be labelled a cynic just because one refuses to believe in fairy tales.
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What millions believe is often just fairy tales for children! The fabrications of the past are ridiculously accepted as the holies of people! Glory lies in searching the truth not in believing the irrational legends!
The strong belief can make things out of imagination.But that can also make facts as if they were fairy tales.
Does a man of sense run after every silly tale of hobgoblins or fairies, and canvass particularly the evidence? I never knew anyone, that examined and deliberated about nonsense who did not believe it before the end of his enquiries.
You are the fairy tale told by your ancestors.
It is our responsibility to keep telling these tales--to tell them in a way that they teach and entertain and give meaning to our lives,' he [Jim] said later. 'This is not merely an obligation, it's something we must do because we love doing it.
We all want to feel like the most beautiful woman in the room, to be chosen and loved forever. The Cinderella story gives us hope of our impossible dreams becoming true.
The unrealistic nature of these tales (which narrowminded rationalists object to) is an important device, because it makes obvious that the fairy tales_ concern is not useful information about the external world, but the inner process taking place in an individual.
I had rescued myself entirely.
Fairy tales for adult readers remained popular throughout Europe well into the 19th century _ particularly in Germany, where the Brothers Grimm published their massive collection of German fairy tales (revised and edited to reflect the Brothers_ patriotic and patriarchal ideals), providing inpiration for novelists, poets, and playrights among the German Romantics. Recently, fairy tale scholars have re__iscovered the enormous body of work produced by women writers associated with the German Romantics: Grisela von Arnim, Sophie Tieck Bernhardi, Karoline von Günderrode, Julie Berger, and Sophie Albrecht, to name just a few.
Though now we think of fairy tales as stories intended for very young children, this is a relatively modern idea. In the oral tradition, magical stories were enjoyed by listeners young and old alike, while literary fairy tales (including most of the tales that are best known today) were published primarily for adult readers until the 19th century.
Aging and the prospect of dying by no means enhance the attractiveness of fictitious comforts to come in paradise, or the veracity of malicious myths about hellfire and damnation. Fear and feeblemindedness cannot be credibly pressed into service to support fantastic claims about the cosmos and our ultimate destiny.Whether one would even consider turning to religion in advanced years has much to do with upbringing, which makes all the more important standing up to the presumptions of the religious in front of children. One would regard the Biblical events _ a spontaneously igniting bush, a sea__ parting, human parthenogenesis, a resurrected prophet and so on _ that supposedly heralded God__ intervention in our affairs as the stuff of fairy tales were it not for the credibility we unwittingly lend them by keeping quiet out of mistaken notions of propriety.
How would I feel about hearing that the plague killed another nearby village a month later? Didn__ I tell you stupidity is the eighth sin?Excerpt From: Cameron Jace. _.
Outbreaks of unvarnished truths in the backyard of our true self can be very precious and inspiring, even though we might inconsistently be tempted to give in to the exhilarating perfume of fables and fairy tales or to flattering praise and fiction. ("The day the mirror was talking back")
But wishes are only granted in fairy tales.
so that it isn't upsetting to anybody. It's something we've always known about fairy tales _ they talk about incest, the Oedipus complex, about psychotic mothers, like those of Snow White and Hansel and Gretel, who throw their children out. They tell things about life which children know instinctively, and the pleasure and relief lie in finding these things expressed in language that children can live with. You can't eradicate these feelings _ they exist and they're a great source of creative inspiration.
Perhaps I should admit on the title page that this book is "By L. Frank Baum and his correspondents," for I have used many suggestions conveyed to me in letters from children. Once on a time I really imagined myself "an author of fairy tales," but now I am merely an editor or private secretary for a host of youngsters whose ideas I am requested to weave into the thread of my stories...My, what imaginations these children have developed! Sometimes I am fairly astounded by their daring an genius. There will be no lack of fairy-tale authors in the future, I am sure. My readers have told me what to do with Dorothy, and Aunt Em and Uncle Henry, and I have obeyed their mandates. They have also given me a variety of subjects to write about in the future: enough, in fact, to keep me busy for some time. I am very proud of this alliance. Children love these stories because children have helped to create them. My readers know what they want and realize I try to please them. The result is satisfactory to the publishers, to me, and (I am quite sure) to the children. I hope, my dears, it will be a long time before we are obliged to dissolve partnership.
Never go down to the darkest room. Stay far away from the rotting coffin. If you want to live through the night, let the devil sleep.