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Fairy tales for adult readers remained popular throughout Europe well into the 19th century _ particularly in Germany, where the Brothers Grimm published their massive collection of German fairy tales (revised and edited to reflect the Brothers_ patriotic and patriarchal ideals), providing inpiration for novelists, poets, and playrights among the German Romantics. Recently, fairy tale scholars have re__iscovered the enormous body of work produced by women writers associated with the German Romantics: Grisela von Arnim, Sophie Tieck Bernhardi, Karoline von Günderrode, Julie Berger, and Sophie Albrecht, to name just a few.

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Aging and the prospect of dying by no means enhance the attractiveness of fictitious comforts to come in paradise, or the veracity of malicious myths about hellfire and damnation. Fear and feeblemindedness cannot be credibly pressed into service to support fantastic claims about the cosmos and our ultimate destiny.Whether one would even consider turning to religion in advanced years has much to do with upbringing, which makes all the more important standing up to the presumptions of the religious in front of children. One would regard the Biblical events _ a spontaneously igniting bush, a sea__ parting, human parthenogenesis, a resurrected prophet and so on _ that supposedly heralded God__ intervention in our affairs as the stuff of fairy tales were it not for the credibility we unwittingly lend them by keeping quiet out of mistaken notions of propriety.

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so that it isn't upsetting to anybody. It's something we've always known about fairy tales _ they talk about incest, the Oedipus complex, about psychotic mothers, like those of Snow White and Hansel and Gretel, who throw their children out. They tell things about life which children know instinctively, and the pleasure and relief lie in finding these things expressed in language that children can live with. You can't eradicate these feelings _ they exist and they're a great source of creative inspiration.

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Perhaps I should admit on the title page that this book is "By L. Frank Baum and his correspondents," for I have used many suggestions conveyed to me in letters from children. Once on a time I really imagined myself "an author of fairy tales," but now I am merely an editor or private secretary for a host of youngsters whose ideas I am requested to weave into the thread of my stories...My, what imaginations these children have developed! Sometimes I am fairly astounded by their daring an genius. There will be no lack of fairy-tale authors in the future, I am sure. My readers have told me what to do with Dorothy, and Aunt Em and Uncle Henry, and I have obeyed their mandates. They have also given me a variety of subjects to write about in the future: enough, in fact, to keep me busy for some time. I am very proud of this alliance. Children love these stories because children have helped to create them. My readers know what they want and realize I try to please them. The result is satisfactory to the publishers, to me, and (I am quite sure) to the children. I hope, my dears, it will be a long time before we are obliged to dissolve partnership.

LB
L. Frank Baum

The Emerald City of Oz