Marxism teaches that exploitation and degradation somehow produce resistance and revolution. It's been hard to say why. What I've learned from women's experience with sexuality is that exploitation and degradation produce grateful complicity in exchange for survival. They produce self-loathing to the point of extinction of self, and it is respect for self that makes resistance conceivable.
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if you unquestioningly accept one piece of the culture that despises and fears you, you are vulnerable to other pieces.
We can say the brotherhood of man, and pretend that we include the sisterhood of women, but we know that we don't. Folklore has it that women only congregate to bitch an absent member of their group, and continue to do so because they are to well aware of the consequences if they stay away. It's meant to be a joke, but like jokes about mothers-in-law it is founded in bitter truth.
Women's liberation by women who are already liberated through channels that would mess them up further
..in the 21st century, wedon__ need to march against size zero models, risible pornography,lap-dancing clubs and Botox. We don__ need to riot, or go on hungerstrike. There__ no need to throw ourselves under a horse, or even adonkey. We just need to look it in the eye, squarely, for a minute,and then start laughing at it. We look hot when we laugh. Peoplefancy us when they observe us giving out relaxed, earthy chuckles.
Women are mere __eauties_ in men__ culture so that culture can be kept male. When women in culture show character, they are not desirable, as opposed to the desirable, artless ingenue.
Let's take the figure of the feminist killjoy seriously. One feminist project could be to give the killjoy back her voice. Whilst hearing feminists as killjoys might be a form of dismissal, there is an agency that this dismissal rather ironically reveals. We can respond to the accusation with a "yes.
Woman is the opposite, the __ther_ of man: she is non-man, defective man, assigned a chiefly negative value in relation to the male first principle. But equally man is what he is only by virtue of ceaselessly shutting out this other or opposite, defining himself in antithesis to it, and his whole identity is therefore caught up and put at risk in the very gesture by which he seeks to assert his unique, autonomous existence. Woman is not just an other in the sense of something beyond his ken, but an other intimately related to him as the image of what he is not, and therefore as an essential reminder of what he is. Man therefore needs this other even as he spurns it, is constrained to give a positive identity to what he regards as no-thing. Not only is his own being parasitically dependent upon the woman, and upon the act of excluding and subordinating her, but one reason why such exclusion is necessary is because she may not be quite so other after all. Perhaps she stands as a sign of something in man himself which he needs to repress, expel beyond his own being, relegate to a securely alien region beyond his own definitive limits. Perhaps what is outside is also somehow inside, what is alien also intimate _ so that man needs to police the absolute frontier between the two realms as vigilantly as he does just because it may always be transgressed, has always been transgressed already, and is much less absolute than it appears.
public display and operatic suffering__n in-your-face owning of one__ vulnerability and fucked-upness to the point of embarrassing and offending tight-asses is a powerful feminist strategy. Writing is tough work, I don__ see how anyone can really write from a position of weakness. Sometimes I may start out in that position, but the act of commandeering words flips me into a position of power.
Those miserable women who blame the men who let them down for their misery and isolation enact every day the initial mistake of sacrificing their personal responsibility for themselves.
In looking at our our individual classroom pedagogies and our isolated artistic endeavors, we must broaden the frame of analysis to consider historical, contextual and institutional assumptions. This means a constant awareness of how the micro-practices of interpersonal dialogue and embodied ways of knowing each other can provide an impetus fro structural change.
She explained that many people, but especially women, feel fraudulent when they are praised for their accomplishments. Instead of feeling worthy of recognition, they feel undeserving and guilty, as if a mistake has been made. Despite being high achievers, even experts in their fields, women can't seem to shake the sense that it is only a matter of time until they are found out for who they really are- impostors with limited skills or abilities.
Do women dress for men or women? I__e always wondered why that eternally provocative question is put in terms of approval - as if the heart of the matter, the answer, were indeed a question of approval by either sex. But the question is never satisfactorily answered because it is incorrectly posed. It__ disapproval, the fear of it, that motivates most women, and with disapproval it doesn__ matter where it comes from.
I mean the women who, without any of the prerogatives of youth and beauty, demand continual slavery from their men....They sit back complacently and watch their husbands slave for them; and, without furnishing any of the pleasantries of life for their husbands, they demand the sort of continual attention that a charming fiancée might get....They are harridans and shrews who continually nag and scold until the men are driven idiotic.
In a world where language and naming are power, silence is oppression, is violence.
One of the common themes you will read in interview after interview is the call to keep fighting for your vision. This is a message to women directors, producers, writers__nyone who wants to work in the business. Your voice counts. Your vision matters.
The concept of virginity is a social construct. If you__e wondering if my commercial value, self-respect, and/or quality of my immortal soul has been affected by things that have gone in or out of my vagina the answer is no.
Examine this statement: __ woman cannot be a poet._ Dr Samuel Johnson (Englishman 1709-84 Occupation: Language Fixer and Big Mouth.) What then shall I give up? My poetry or my womanhood?