fiction-writing

I am often told that the model of balance for the novelist should be Dante, who divided his territory up pretty evenly between hell, purgatory, and paradise. There can be no objection to this, but also there can be no reason to assume that the result of doing it in these times will give us the balanced picture it gave in Dante's. Dante lived in the thirteenth century, when that balance was achieved by the faith of his age. We live now in an age which doubts both fact and value, which is swept this way and that by momentary convictions. Instead of reflecting a balance from the world around him, the novelist now has to achieve one from a felt balance inside himself.

If you love somebody then tell them how you feel dont be scared of their reaction or rejection life is too short. you should take a chance and if things dont work out as you plan dont worry cuz life moves on and true love will be waiting for you again.

Commercial fiction writing _ where my bread is buttered _ is fairly straightforward. The writing is simply efficiency and story. The more you have of one the less you need of the other.

Entah mengapa, mendadak dia merasa bahwa berkenalan dengan si pemilik nama itu sepertinya akan menyenangkan.

Ah, ya, omong-omong, aku sangat merindukanmu. Apa kau merindukanku juga, mmm?

Jika kita menyukai sesuatu, bagaimanapun keadaannya, kita hanya akan tetap menyukainya. Rasa suka itu tidak akan terpengaruh oleh faktor lain. Suka, ya, suka, dan akan begitu walau dilihat dari sudut pandang mana saja.

Now the second common characteristic of fiction follows from this, and it is that fiction is presented in such a way that the reader has the sense that it is unfolding around him. This doesn't mean he has to identify himself with the character or feel compassion for the character or anything like that. It just means that fiction has to be largely presented rather than reported. Another way to say it is that though fiction is a narrative art, it relies heavily on the element of drama.

Nobody wants to be a part of your story. Everybody wants you to elaborate on their fantasies.

Perhaps this is what Henry James meant when he talked about the __rresponsibility_ of characters. Characters are irresponsible, art is irresponsible when compared to life, because it is first and foremost important that a character be real, and as readers or watchers we tend to applaud any effort made towards the construction of that reality. We do not, of course, indulge actual people in the world this way at all. In real life, the fact that something seems real to someone is not enough to interest us, or to convince us that that reality is interesting. But the self-reality of fictional characters is deeply engrossing, which is why villains are lovable in literature in ways that they are not in life.