If I considered the Partition an archeological site, and the many experiences of those who witnessed it as the site__ structural sedimentation, then the deeper I excavated, the more I found, and that too in innumerable renditions.
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I have grown up listening to my grandparents_ stories about __he other side_ of the border. But, as a child, this other side didn__ quite register as Pakistan, or not-India, but rather as some mythic land devoid of geographic borders, ethnicity and nationality. In fact, through their stories, I imagined it as a land with mango orchards, joint families, village settlements, endless lengths of ancestral fields extending into the horizon, and quaint local bazaars teeming with excitement on festive days. As a result, the history of my grandparents_ early lives in what became Pakistan essentially came across as a very idyllic, somewhat rural, version of happiness.
Partition memory is particularly pliable. Within it, the act of forgetting, either inevitably or purposefully, seems to play as much a part as remembering itself.
Memorialization is not a passive practice but an active conversation.
When the British left, India was a multireligious, multiregional, multiethnic country, exploited, backward, and poor from colonialism.
Over the years, the British had strategically pitted the Muslims against the Hindus, supporting the All India Muslim League and encouraging the notion that the Muslims were a distinct political community. Throughout British India, separate electorates had been offered to Muslims, underscoring their separateness from Hindus and sowing the seeds of communalism. Teh Morley-Minto reforms in 1908 had allowed direct election for seats and separate or communal representation for Muslims. This was the harbinger for the formation of the Muslim League in 1906. In 1940, the Muslim League, representing one-fifth of the total population of India, became a unifying force. They were resentful that they were not sufficiently represented in Congress and feared for the safety of Islam.
Since the early beginning of history, India has been the Klondyke of the world
The contrast between the familiar and the exceptional was everywhere around me. A bullock cart was drawn up beside a modern sports car at a traffic signal. A man squatted to relieve himself behind the discreet shelter of a satellite dish. An electric forklift truck was being used to unload goods from an ancient wooden cart with wooden wheels. The impression was of a plodding indefatigable and distant past that had crashed intact through barriers of time into its own future. I liked it.
Concerning Concealment as a symptom of love for Krsna:"It has been stated, 'although Srimati Radharani developed a deep loving affection for Krsna, She hid Her attitude in the core of Her heart so that others could not detect Her actual condition.
[Indians] don't think about ghosts as those stereotypical spook in white sheets that scare the knickers off everybody. We believe that we coexist with many, many spirits. They're all around us - because the soul never dies. The body withers away, but the essence of the person remains, watching over us.
Why does man need bread? To survive. But why survive if it is only to eat more bread? To live is more than just to sustain life - it is to enrich, and be enriched by, life.
Feel My Heart: A Collection of Poem and Art WWW( DOT)amazon(DOT)in/Feel-My-Heart-Collection-Poem/dp/1535431601
The 'Renaissance' West Butchered the Rest.If I had to choose between an erudite Aristotle and an unknown __oulless_ black slave I would choose the latter. The ascendancy of the West was on a heap of bodies of slaves and trampled humanity through colonization
Eventually everyone dies, but death, in various forms and ways, still comes as a shock. Then they throw dirt in your face. Then the worms eat you. Or they consign you to flames. The flesh sizzles and the bones crackle. be grateful it happens in that order.
Modernity is kind of a tradition and tradition itself is not a rulebook. It's a dialogue and a dialectical process_ just as tradition affects us, we too affect tradition and culture, and we change it.
Our national emblem has four lions but unfortunately we have highlighted more lambs and wolfs than real lions of our country.
Amma and Malati called her a beggar, a whore, and it was clear from the disbelief on her face that she had never been spoken to in such manner. [....] On that day I became convinced that it is the words of women that deeply wound other women.
traditional folk music and dance in India ,specially women oriented . every folk music has a homely story where women are portraits as house wife within four walls ,who has only knowledge about her husband and households activities. world is for men . though this is changing now .