Such fascinating things, libraries. She closes her eyes. She couldwalk inside and step into a murder, a love story, a complete accountof somebody else__ life, or mutiny on the high seas. Such potential;such adventure__here__ a shimmer of malfeasance in trying otherways of being.
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Overambitious projects may be objectionable in many fields, but not in literature. Literature remains alive only if we set ourselves immeasurable goals, far beyond all hope of achievement.
Greatness recognizes greatness, and is shadowed by it.
There are people who, the more you do for them, the less they will do for themseselves.
In art, and in literature, the end and the means, or the subject and the style, must be worthy of each other.That which is not worth contemplating in life, is not worth re-creating in art.
What would be the description of happines? Nothing, except what prepares and then what destroys it, can be told.
Life is a book. We are writing the stories of our lives.
Behind every Plagiarism there is Google
Only after a writer lets literature shape her can she perhaps shape literature. In working-class France, when an apprentice got hurt, or when he got tired, the experienced workers said, "It is the trade entering his body." The art must enter the body, too.
My idea of literature, as I have often said, is that it should save lives. My idea of literature is that it once did save lives, and was of consequence in that way. I believe it can do so again. With every book, to the best of my ability, I try to put this belief in action, even if, as in some of the recent books, the best way to save lives is to cause laughter. Bring on your problems, and I will listen, and bear witness, and when the occasion permits, I will respond, according to certain general rules, on this page, in this hope that here too words may be redemptive.
True love finds its own waysTo spread goodness, always.
I kept asking myself how a book could be infinite. I could not imagine any other than a cyclic volume, circular. A volume whose last page would be the same as the first and so have the possibility of continuing indefinitely.
She was looking into my eyes with that way she had of looking that made you wonder whether she really saw out of her own eyes. They would look on and on after everyone else's eyes in the world would have stopped looking. She looked as though there were nothing on earth she would not look at like that, and really she was afraid of so many things.
If the ancients had been able to see it as I see it now, Mr. Palomar thinks, they would have thought they had projected their gaze into the heaven of Plato's ideas, or in the immaterial space of the postulates of Euclid; but instead, thanks to some misdirection or other, this sight has been granted to me, who fear it is too beautiful to be true, too gratifying to my imaginary universe to belong to the real world. But perhaps it is this same distrust of our senses that prevents us from feeling comfortable in the universe. Perhaps the first rule I must impose on myself is this: stick to what I see.
I call that creativity," Orville said. "The purpose of literature is to teach you how to THINK, not how to be practical. Learning to discover the connective tissue between seemingly unrelated events is the only way we are equipped to understand patterns in the real world.
You read enough books in which people like you are disposable, or are dirt, or are silent, absent, or worthless, and it makes an impact on you. Because art makes the world, because it matters, because it makes us. Or breaks us.
Now what I like about lit is that though you feel you know the characters involved, you don__ _ you get all the benefits of having a relationship, with none of the mess.
And did the distress I was feeling derive from some internal sickness of the soul, or was it imposed on me by the sickness of society? That someone besides me had suffered from these ambiguities and had seen light on their far side... that I could find company and consolation and hope in an object pulled almost at random from a bookshelf__elt akin to an instance of religious grace.