myself

My artistic manifesto exists in the world as poetry. So even though most of the things that I've done have been on other people's projects or could be pigeonholed in certain ways, that's not how I perceive myself.

'Milk and Honey' was written with me being honest to myself, kind of pulling at the things that I hear the most and saying that out loud, and you know, that thing that we hear the most is most universal, and so that rings true with all folks. The language used in the poetry is extremely, extremely accessible.

I never really liked poetry readings; I liked to read poetry by myself, but I liked singing, chanting my lyrics to this jazz group.

I started out in life as a poet; I was only writing poetry all through my 20s. It wasn't until I was about 30 that I got serious about writing prose. While I was writing poems, I would often divert myself by reading detective novels; I liked them.

I didn't start writing songs, honestly, until I started making my album. I was always doing poetry, but I never thought I could write songs. I discouraged myself and thought it was so hard. But starting this process and learning just what it is to be a songwriter and performer taught me that you don't have to feel discouraged about anything.

The major poets of New Jersey have all suffered, whether it's Whitman, who lost his job for 'Leaves of Grass,' or William Carlos Williams, who was called a communist, or Ginsberg, whose 'Howl' was prosecuted, or myself. If you practise poetry the way I think it needs to be done, you're going to put yourself in jeopardy.

I was reading poetry to my girlfriends, and they were like, 'You're really good. You should go to some poetry readings or something.' And I eventually went and got a, you know, somewhat of a name for myself and a little bit of a following.

You pick up loads of baggage with your first record with reaction to it from fans and critics. So I went to Ireland by myself for a couple of weeks with my guitar. I read lots of poetry, I read Patti Smith's autobiography and started words and phrases and then songs started to take shape.

I must say, when I reread myself, it's the poetry I tend to look at. It's the most exciting to write, and it's over the quickest.

I liked to write from the time I was about 12 or 13. I loved to read. And since I only spoke to my brother, I would write down my thoughts. And I think I wrote some of the worst poetry west of the Rockies. But by the time I was in my 20s, I found myself writing little essays and more poetry - writing at writing.

Every now and then I read a poem that does touch something in me, but I never turn to poetry for solace or pleasure in the way that I throw myself into prose.

Well, I still write poetry, but I wouldn't call myself a poet.

I consider myself a poet first and a musician second. I live like a poet and I'll die like a poet.

When I rap, I get to express myself in a way where putting words together is like poetry, and sometimes it's better to talk in certain expressions than sing, you know? So I love, I love to rhyme when I want to express certain things.

I know some people might think it odd - unworthy even - for me to have written a cookbook, but I make no apologies. The U.S. poet laureate Billy Collins thought I had demeaned myself by writing poetry for Hallmark Cards, but I am the people's poet so I write for the people.

I don't like the word 'poetry,' and I don't like poetry readings, and I usually don't like poets. I would much prefer describing myself and what I do as: I'm kind of a curator, and I'm kind of a night-owl reporter.

I've written some poetry I don't understand myself.

I have written some poetry and two prose books about baseball, but if I had been a rich man, I probably would not have written many of the magazine essays that I have had to do. But, needing to write magazine essays to support myself, I looked to things that I cared about and wanted to write about, and certainly baseball was one of them.