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But even now, with the crates piled high in the hall, what I see most plainly about the books is that they are beautiful. They take up room? Of course they do: they are an environment; atoms, not bits. My books are not dead weight, they are live weight _ matter infused by spirit, every one of them, even the silliest. They do not block the horizon; they draw it. They free me from the prison of contemporaneity: one should not live only in one__ own time. A wall of books is a wall of windows.

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LED lighting has its place: cold, detached, hollow places like office buildings, factories, fast food chains and public schools - places full of humans but no human emotions. LED lighting really belongs in the apathy of the digital age, where science and technology rules over friendship, love and freedom. Incandescent light bulbs have a warm yellow-orange glow like the glow of a nice fireplace, where friends and family might sit and talk together or where children might open Christmas presents, a glow that can project celluloid films and bring back old memories, a glow that can light the text of a paperback novel. Something that beautiful, with that much power, could never last very long in a time as depressing and uncertain as the 21st century.

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Xas sighed. "But I don't want to talk about God. Why do I? Sometimes I feel God is all over me like a pollen and I go about pollinating things with God."Sobran opened his eyes and Xas smiled at him. Soban said, "I did think that you talked about God to persuade me you weren't evil. But I've decided that, for you, everything is somehow to the glory of God, whether you like it or not.""I feel that, yes. My imagination was first formed in God's glory. But I think God didn't make the world, so I think my feelings are mistaken."This was the heresy for which Xas was thrown out of Heaven. Sobran was happy it had finally appeared. It was like a clearing. Sobran could almost see this clearing - a silent, sunny, green space into which not a thing was falling, not even the call of a cuckoo. Xas thought the world was like this, an empty clearing into which God had wandered.

EK
Elizabeth Knox

The Vintner's Luck

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The poem or the discovery exists in two moments of vision: the moment of appreciation as much as that of creation; for the appreciator must see the movement, wake to the echo which was started in the creation of the work. In the moment of appreciation we live again the moment when the creator saw and held the hidden likeness. When a simile takes us aback and persuades us together, when we find a juxtaposition in a picture both odd and intriguing, when a theory is at once fresh and convincing, we do not merely nod over someone else's work. We re-enact the creative act, and we ourselves make the discovery again......Reality is not an exhibit for man's inspection, labeled: "Do not touch." There are no appearances to be photographed, no experiences to be copied, in which we do not take part. We re-make nature by the act of discovery, in the poem or in the theorem. And the great poem and the deep theorem are new to every reader, and yet are his own experiences, because he himself re-creates them. They are the marks of unity in variety; and in the instant when the mind seizes this for itself, in art or in science, the heart misses a beat.