writing-craft

Any thing is interesting if you can communicate it. There are no unimportant subjects for the enlivened mind.

The object of storytelling, like the object of magic, is not to explain or to resolve, but rather to create and to perform miracles of the imagination. To extend the boundaries of the mysterious. To push into the unknown in pursuit of still other unknowns. To reach into one's heart, down into that place where the stories are, bringing up the mystery of oneself.

Contrary to popular belief, people always say "It was a pleasure doing business with you". It is the only thing that has stayed with me after an assignment. Always mix business with pleasure. That is a secret they don't want you to know. BUT never mix pleasure with business. Then you might just end up in a divorce.

Dig deep and go where the pain and fear and joy are, and put it out there. The minute you shy away from pure honesty in your writing, you become a liar.

T[he rules of writing] require that the episodes in a tale shall be necessary parts of the tale, and shall help to develop it.

There is an underlying rhythm to all text. Sentences crashing fall like the waves of the sea, and work unconsciously on the reader. Punctuation is the music of language. As a conductor can influence the experience of the song by manipulating its rhythm, so can punctuation influence the reading experience, bring out the best (or worst) in a text. By controlling the speed of a text, punctuation dictates how it should be read. A delicate world of punctuation lives just beneath the surface of your work, like a world of microorganisms living in a pond. They are missed by the naked eye, but if you use a microscope you will find a exist, and that the pond is, in fact, teeming with life. This book will teach you to become sensitive to this habitat. The more you do, the greater the likelihood of your crafting a finer work in every respect. Conversely the more you turn a blind eye, the greater the likelihood of your creating a cacophonous text and of your being misread.

Find the problem, find the story.

Screenplays are structure, and that__ all they are. The quality of writing__hich is crucial in almost every other form of literature__s not what makes a screenplay work. Structure isn__ anything else but telling the story, starting as late as possible, starting each scene as late as possible. You don__ want to begin with __nce upon a time,_ because the audience gets antsy.

When you sell a man a book you don__ sell him just 12 ounces of paper and ink and glue__ou sell him a whole new life.

All writers pen sad stories to garner sympathy, writing is after all for the abandoned of the society: the ink-leech, spewing black blood and sucking innocent souls.

In the minds of some people, writing is one thing, but thinking is quite another. If they define writing as spelling, the production of sentences with random meanings, and punctuation, then they might have a case. But who would accept such a definition? Writing is the production of meaning. Writing is thinking.

My characters still talk the way normal people talk. They argue, they are sarcastic with each other, they joke around. I usually end up with one outrageous minor character in each book that people just rave about. We all have that one friend who says and does things that are a riot. A character like that is the salt in the soup: you want just enough to bring everything to life.

Technical knowledge, divorced from what it is supposed to be knowledge of, yields only the illusion of understanding. It's like being able to reel off the locations in a baseball field -- first base, second base, third base, home plate, left field, right field, center field, pitcher's mound -- without having the slightest clue as to how they function in a game. You can talk the talk, but you can't walk the walk.

Inspiration can be a wonderful thing, but it can also be quite fickle ... If you want to be able to call on inspiration reliably then you need to work on it with regularity. Someone once said that if you only go out with a bucket to collect water when it's raining, sometimes you'll get water. But if you go out with your bucket every day, even when it's not raining, sometimes you'll catch unexpected rain. And also, a strange thing may happen: that the very act of going out with your bucket may actually provoke such rain.

Stories that pander to your every readerly desire and whim are like overly loyal dogs that live for the simple glow of your approval. I'm a cat person. I like a little aloofness in my pets and my writing.

Look for the clutter in your writing and prune it ruthlessly. Be grateful for everything you can throw away. Reexamine each sentence you put on paper. Is every word doing new work? Can any thought be expressed with more economy? Is anything pompous or pretentious or faddish? Are you hanging on to something useless just because you think it's beautiful?...Simplify, simplify.

An idea for a story can be anything. The sky is not the limit, the limit is beyond it.

Writing is a team sport.