The revolutionary woman knows the world she seeks to overthrow is precisely one in which love between equal human beings is well nigh impossible. We are still part of the ironical working-out of this, our own cruel contradiction. One of the most compelling facts which can unite women and make us act is the overwhelming indignity or bitter hurt of being regarded as simply __he other_, __n object_, __ommodity_, __hing_. We act directly from a consciousness of the impossibility of loving or being loved without distortion. But we must still demand now the preconditions of what is impossible at the moment. It is a most disturbing dialectic, our praxis of pain.

We love men because they can never fake orgasms, even if they wanted to.Because they write poems, songs, and books in our honor.Because they never understand us, but they never give up.Because they can see beauty in women when women have long ceased to see any beauty in themselves.Because they come from little boys.Because they can churn out long, intricate, Machiavellian, or incredibly complex mathematics and physics equations, but they can be comparably clueless when it comes to women.Because they are incredible lovers and never rest until we__e happy.Because they elevate sports to religion.Because they__e never afraid of the dark.Because they don__ care how they look or if they age.Because they persevere in making and repairing things beyond their abilities, with the naïve self-assurance of the teenage boy who knew everything.Because they never wear or dream of wearing high heels.Because they__e always ready for sex.Because they__e like pomegranates: lots of inedible parts, but the juicy seeds are incredibly tasty and succulent and usually exceed your expectations.Because they__e afraid to go bald.Because you always know what they think and they always mean what they say.Because they love machines, tools, and implements with the same ferocity women love jewelry.Because they go to great lengths to hide, unsuccessfully, that they are frail and human.Because they either speak too much or not at all to that end.Because they always finish the food on their plate.Because they are brave in front of insects and mice.Because a well-spoken four-year old girl can reduce them to silence, and a beautiful 25-year old can reduce them to slobbering idiots.Because they want to be either omnivorous or ascetic, warriors or lovers, artists or generals, but nothing in-between.Because for them there__ no such thing as too much adrenaline.Because when all is said and done, they can__ live without us, no matter how hard they try.Because they__e truly as simple as they claim to be.Because they love extremes and when they go to extremes, we__e there to catch them.Because they are tender they when they cry, and how seldom they do it.Because what they lack in talk, they tend to make up for in action.Because they make excellent companions when driving through rough neighborhoods or walking past dark alleys.Because they really love their moms, and they remind us of our dads.Because they never care what their horoscope, their mother-in-law, nor the neighbors say.Because they don__ lie about their age, their weight, or their clothing size.Because they have an uncanny ability to look deeply into our eyes and connect with our heart, even when we don__ want them to.Because when we say __ love you_ they ask for an explanation.

When a Wanderess has been caged, or perched with her wings clipped, She lives like a Stoic, She lives most heroic, smiling with ruby, moistened lips once her cup of Death is welcome sipped.

Men who give up the common goal of all things that exist, thereby cease to exist themselves. Some may perhaps think it strange that we say that wicked men, who form the majority of men, do not exist; but that is how it is. I am not trying to deny the wickedness of the wicked; what I do deny is that their existence is absolute and complete existence. Just as you might call a corpse a dead man, but couldn't simply call it a man, so I would agree that the wicked are wicked, but could not agree that they have unqualified existence.

Doing nothing is even worse than doing the wrong thing.

It was so awful! And he kept on looking at me and I knew I must get out of bed or he'd come and touch me. I did, too, but when I got out I wasn't me-I was a little white bunny. And he started out of the room and I had to go with him for fear he'd touch me. It felt so horrid, going out with him and looking back at mother there asleep."We went into the main part of the house, and one of the big front doors was open, and we went out through it. And then he gave a big jump, and so did I, and it took us clear up into the sky. We couldn't fly, but we kept jumping and jumping."Sometimes we stayed in the sky a little while, jumping from cloud to cloud, and the moon would get closer and closer and bigger and bigger, and its face would change and get horrible and grin at us until it seemed like its mouth was a mile wide and open, to swallow us up. And then we'd come down again and jump from one cliff to another, and the sea would be roaring down under us, and the waves all grey and cold and moving around and boiling like they were mad or afraid."We went all over the island and sometimes we jumped over the sea to the mainland and back again; and sometimes I tried to get away and run back to Mother - I thought she'd know me even if I was a bunny - but always, whichever way I turned, the hare was there in front of me, and his teeth were shining."We kept it up all night, and I was so tired and cold and miserable, and so scared. I didn't know whether he would ever let me go home or whether he would take me to Aunt Sarai. Then finally I did get away and the hare chased me!"She broke off, her voice rising again to a wail."It was so awful! I ran all over the island, into all sorts of queer little places that I never knew were there before - it seems so different after dark - and finally, when two or three times I'd been so tired that I thought I just couldn't go any farther, before he caught me, I saw the house in front of me and the front door still open and I started to run in, and then I thought - what if they'd planned it that way, and Aunt Sarai had come down from her portrait and was inside there in the dark, waiting for me?