What your mind sees when you close your eyes marks the entrance to an endless universe: your imagination.
... We would be foolish to say of Miss Moss, for example, that the words female and store owner and tall and thirtyish and kindly an unmarried describe much of real substance about her, isn't that so? A great deal of who she really is are stories we do not know, stories she may or may not share, stories perhaps even she does not know the meaning and shape of quite yet. People are stories aren't they? And their stories keep changing and opening and closing and braiding and weaving and stitching and slamming to a halt and finding new doors and windows through which to tell themselves, isn't that so? Isn't that what happens to you all the time? It used to be when you were little that other people told you stories about yourself and where you came from, but then you begin to tell your own story, and you find that your story keeps changing in thrilling and painful ways and it's never in one place. Maybe each of us is a sort of village with lots of different beings living together under one head of hair, around the river of your pulse, the crossroads of who you were and who you wish to be.
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... We would be foolish to say of Miss Moss, for example, that the words female and store owner and tall and thirtyish and kindly an unmarried describe much of real substance about her, isn't that so? A great deal of who she really is are stories we do not know, stories she may or may not share, stories perhaps even she does not know the meaning and shape of quite yet. People are stories aren't they? And their stories keep changing and opening and closing and braiding and weaving and stitching and slamming to a halt and finding new doors and windows through which to tell themselves, isn't that so? Isn't that what happens to you all the time? It used to be when you were little that other people told you stories about yourself and where you came from, but then you begin to tell your own story, and you find that your story keeps changing in thrilling and painful ways and it's never in one place. Maybe each of us is a sort of village with lots of different beings living together under one head of hair, around the river of your pulse, the crossroads of who you were and who you wish to be.
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As survivors and procreators, we unravel stories that at their root are not dissimilar from the habitual behaviors seen in nature. But as beings who know they will die we digress into episodes and epics that are altogether dissociated from the natural world. We may isolate this awareness, distract ourselves from it, anchor our minds far from its shores, and sublimate it as a motif in our sagas. Yet at no time and in no place are we protected from being tapped on the shoulder and reminded, __ou__e going to die, you know._ However much we try to ignore it, our consciousness haunts us with this knowledge. Our heads were baptized in the font of death; they are doused with the horror of moribundity.
Oh, had I, weak and faint of speech, words to teach my fellow-creatures the beauty and capabilities of man's mind; could I, or could one more fortunate, breathe the magic word which would reveal to all the power, which we all possess, to turn evil to good, foul to fair; then vice and pain would desert the new-born world!It is not thus: the wise have taught, the good suffered for us; we are still the same; and still our own bitter experience and heart-breaking regrets teach us to sympathize too feelingly with a tale like this.
Not every story is true. And sometimes the things that were wicked become the things that save us, and the things that were good doom us to misery and pain.
The reason for evil in the world is that people are not able to tell their stories.
I spoke of the tragic illusion of perpetuity, but, no, my friends, it is a comic one. The ludicrous plot in which we are all trapped. The ancient Greeks referred to plot as mythos, attributing the random drift of human affairs to some sort of unknowable but glimpsable divine motion, attempting to attach a certain grandeur to it, the delusion of meaning. But we are characters who do not exist, in a story composed by no one from nothing. Can anything be more pitiable? No wonder we all are grieving.