I always ask myself one question: what is human? What does it mean to be human? Maybe people will consider my new films brutal again. But this violence is just a reflection of what they really are, of what is in each one of us to certain degree.
Marx was troubled by the question of why ancient Greek art retained an __ternal charm_, even though the social conditions which produced it had long passed; but how do we know that it will remain __ternally_ charming, since history has not yet ended? Let us imagine that by dint of some deft archaeological research we discovered a great deal more about what ancient Greek tragedy actually meant to its original audiences, recognized that these concerns were utterly remote from our own, and began to read the plays again in the light of this deepened knowledge. One result might be that we stopped enjoying them. We might come to see that we had enjoyed them previously because we were unwittingly reading them in the light of our own preoccupations; once this became less possible, the drama might cease to speak at all significantly to us.The fact that we always interpret literary works to some extent in the light of our own concerns - indeed that in one sense of __ur own concerns_ we are incapable of doing anything else - might be one reason why certain works of literature seem to retain their value across the centuries. It may be, of course, that we still share many preoccupations with the work itself; but it may also be that people have not actually been valuing the __ame_ work at all, even though they may think they have. __ur_ Homer is not identical with the Homer of the Middle Ages, nor __ur_ Shakespeare with that of his contemporaries; it is rather that different historical periods have constructed a __ifferent_ Homer and Shakespeare for their own purposes, and found in these texts elements to value or devalue, though not necessarily the same ones. All literary works, in other words, are __ewritten_, if only unconsciously, by the societies which read them; indeed there is no reading of a work which is not also a __e-writing_. No work, and no current evaluation of it, can simply be extended to new groups of people without being changed, perhaps almost unrecognizably, in the process; and this is one reason why what counts as literature is a notably unstable affair.
Literary Theory: An Introduction
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Marx was troubled by the question of why ancient Greek art retained an __ternal charm_, even though the social conditions which produced it had long passed; but how do we know that it will remain __ternally_ charming, since history has not yet ended? Let us imagine that by dint of some deft archaeological research we discovered a great deal more about what ancient Greek tragedy actually meant to its original audiences, recognized that these concerns were utterly remote from our own, and began to read the plays again in the light of this deepened knowledge. One result might be that we stopped enjoying them. We might come to see that we had enjoyed them previously because we were unwittingly reading them in the light of our own preoccupations; once this became less possible, the drama might cease to speak at all significantly to us.The fact that we always interpret literary works to some extent in the light of our own concerns - indeed that in one sense of __ur own concerns_ we are incapable of doing anything else - might be one reason why certain works of literature seem to retain their value across the centuries. It may be, of course, that we still share many preoccupations with the work itself; but it may also be that people have not actually been valuing the __ame_ work at all, even though they may think they have. __ur_ Homer is not identical with the Homer of the Middle Ages, nor __ur_ Shakespeare with that of his contemporaries; it is rather that different historical periods have constructed a __ifferent_ Homer and Shakespeare for their own purposes, and found in these texts elements to value or devalue, though not necessarily the same ones. All literary works, in other words, are __ewritten_, if only unconsciously, by the societies which read them; indeed there is no reading of a work which is not also a __e-writing_. No work, and no current evaluation of it, can simply be extended to new groups of people without being changed, perhaps almost unrecognizably, in the process; and this is one reason why what counts as literature is a notably unstable affair.
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What humans want most of all, is to be right. Even if we're being right about our own doom. If we believe there are monsters around the next corner ready to tear us apart, we would literally prefer to be right about the monsters, than to be shown to be wrong in the eyes of others and made to look foolish.
I am LifeYour pure essence, spirit and seed of existence itself,That lies within you, longing to awaken and flourish.I am long before you and after you, never born, never die,timeless, without boundaries.I am pure unconditional love, wholeness,connectedness, freedom, bliss,joy, peace, stillness.I am That beyond the gross and limited,yet you are blinded.You choose the illusion that you have controlthrough grasping and being caughtby all that is unreal and comes and goes.You think you are alive but you barely know Life.You choose separation.It is time to wake up!Have strength, courage and trust to let go.Surrender the fear and all that imprisons you.I am beyond mind, thoughts, emotions, ego, conditioning, desires, needs, attachments, memories, dreams, goals, forms, identities, ideas.Beyond all that arises.When all that I am not is released and let go, I AM....Total, whole, eternal,infinite.And such also is all that arises.No more questions.Home.No more you, I, us.No more words.
The Kingdom of God is an earthly experience which manifests in an unearthly manner.
Even though it is common knowledge in our field of Neuroscience, I take immense pleasure every time I realize that our perception of the whole universe emerges from the activity of the little specks of jelly inside our skull.
We are beasts, you know, beasts risen from the savannas and jungles and forests. We have come down from the trees and up out of the water, but you can never, ever fully remove the feral nature from our psyches.