At some point, even the greatest misery begins to fade. Life, or what passes for life, plods on in it's own unending weary footsteps, and somehow we plod along with it, if we stay lucky.
The truth of a myth, your Honor, is not its words but its patterns.
The Thousand Autumns of Jacob de Zoet
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The truth of a myth, your Honor, is not its words but its patterns.
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Mind", can't make differences between real and not..., (OFF NOW THAT..., then that...), you are saying lie after lie..., then believing in false stuff. And thinking in positive sides so to scream not much as the other do, but as always you one moment scream you can't stop it... Now putting against me a knife and saying "Go away... give me my daughter... give me her back"..., don't you see the people laugh at you, don't you see it. Look their faces, with so many smiles, but they aren't people, they are from the army, off, off for god sake they are soldiers which have guns. Have killed few people, have taken your daughter and they are many as a number than you and your whole family... Probably this part as an General I must skip it, because it's logical however look it and from this side, nobody will sacrifice so you to be happy... you will die.. O, o, the poor little girl crying in front of the people, she just saw her mother pointing with a knife against the soldiers and now she is killed by one of the soldiers.
GreenHollyWood asked me "How I sleep?", after all, after this horror and terror. The truth is that I close the one eye 1-2 seconds go and then the other... and I sleep. To to don't forget, if we will be friends I enjoy the horror..., I like to see myself scared!?
It was in that small lack of movement that Poet could see true horror. A mirror held up to the human race and how it can be manipulated. Ruined.
In March of 1915, all three of Lord and Lady Chetwynd-Pitt's sons'd been gassed, blown up or machine-gunned in the very same week at the battle of Neuve-Chapelle. All three. Imagine that: On Monday, you've got three sons, by Friday you've got none. Lady Albertina had just, y'know, caved in. Physically, mentally, spiritually, brutally.
I put it to the great man [Hitchcock], the key to fictitious terror is partition or containment: so long as the Bates Motel is sealed off from our world, we want to peer in, like at a scorpion enclosure. But a film that shows the world is a Bates Motel, well, that's... the stuff of Buchloe, dystopia, depression. We'll dip our toes in a predatory, amoral, godless unive3rse, but only our toes.