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The ultimate space-measurer in Dutch football is of course, Johan Cruyff. He was only seventeen when he first played at Ajax, yet even then he delivered running commentaries on the use of space to the rest of the team, telling them where to run, where not to run. Players did what the tiny, skinny teenager told them to do because he was right. Cruyff didn't talk about abstract space but about specific, detailed spatial relations on the field. Indeed, the most abiding image of him as a player is not of him scoring or running or tackling. It is of Cruyff pointing. 'No, not there, back a little... forward two metres... four metres more to the left.' He seemed like a conductor directing a symphony orchestra. It was as if Cruyff was helping his colleagues to realize an approximate rendering on the field to match the sublime vision in his mind of how the space ought to be ordered.
David Winner
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The ultimate space-measurer in Dutch football is of course, Johan Cruyff. He was only seventeen when he first played at Ajax, yet even then he delivered running commentaries on the use of space to the rest of the team, telling them where to run, where not to run. Players did what the tiny, skinny teenager told them to do because he was right. Cruyff didn't talk about abstract space but about specific, detailed spatial relations on the field. Indeed, the most abiding image of him as a player is not of him scoring or running or tackling. It is of Cruyff pointing. 'No, not there, back a little... forward two metres... four metres more to the left.' He seemed like a conductor directing a symphony orchestra. It was as if Cruyff was helping his colleagues to realize an approximate rendering on the field to match the sublime vision in his mind of how the space ought to be ordered.

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A typical Celestine will devote a large proportion of their time to passing through the inscribed sectors of the planet studying the writings, either alone or accompanied by companions with whom to share comments. This is a favourite pastime among them, and as they travel towards the boundaries of the inscribed regions they can watch the ongoing work of those Celestines that have been chosen to record their ideas _ tirelessly twisting, pausing to gather energy, then exerting themselves again; painstakingly working the same patch of dust several thousand times over to shape each individual furrow; to capture, symbol by symbol, the knowledge they have contributed to the Celestine corpus. There is great pride and precision, as well as immense labour, in their toil. Before they commence work, the piece of ground that will house the writing will be chosen very carefully for its aspect. Then, the most favourable angle to the light will be calculated, for the orientation of the wording. The language used is of the most poetic and grandiose sort, quite different from the vernacular, and the symbols themselves are embellished with flourishes, extravagances and curlicues that are unique to the creator. Celestines love to observe this work, which constitutes the pinnacle of their art and of their ceaseless thought-endeavours, and embodies their very reason for being.

LM
Luke F.D. Marsden

The Celestines: A Short Story