And the silken, sad, uncertain rustling of each purple curtain Thrilled me- filled me with fantastic terrors never felt before; So that now, to still the beating of my heart, I stood repeating, "'Tis some visitor entreating entrance at my chamber door- Some late visitor entreating entrance at my chamber door;- This it is, and nothing more.
I want to tell you why poetry is worth thinking about - from time to time. Not all the time. Sometimes it's a much better idea to think about other things.Most of us have a short period of intense thinking about poetry, when we take a class in college, and then that's about it. And that's really all you need. One intense time, when you master your little heap of names - Andrew Marvel, Muriel Rukeyser, Christina Rosetti, Hardy, Auden, Bishop, Marvin Bell, Ted Hughes, John Hollander, Nicholas Christopher, Deborah Garrison, whoever, James Wright, Selima Hill, Troy Jollimore. Whoever they may be. Every so often you remember them. If you've memorised some poems, the poems will raise a glimmering finger in your memory once in a while, and that's very nice, as long as you keep it to yourself. Never recite. Please! If you recite, your listeners will look down and play with their cuticles. They will not like you. But sometimes if you quote just a phrase in passing, that can work. Like this: "As Selima Hill says: 'A really good fuck makes me feel like custard.
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I want to tell you why poetry is worth thinking about - from time to time. Not all the time. Sometimes it's a much better idea to think about other things.Most of us have a short period of intense thinking about poetry, when we take a class in college, and then that's about it. And that's really all you need. One intense time, when you master your little heap of names - Andrew Marvel, Muriel Rukeyser, Christina Rosetti, Hardy, Auden, Bishop, Marvin Bell, Ted Hughes, John Hollander, Nicholas Christopher, Deborah Garrison, whoever, James Wright, Selima Hill, Troy Jollimore. Whoever they may be. Every so often you remember them. If you've memorised some poems, the poems will raise a glimmering finger in your memory once in a while, and that's very nice, as long as you keep it to yourself. Never recite. Please! If you recite, your listeners will look down and play with their cuticles. They will not like you. But sometimes if you quote just a phrase in passing, that can work. Like this: "As Selima Hill says: 'A really good fuck makes me feel like custard.
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Share your dreams and they will be inspired. Plant seeds of knowledge and they will grow and reproduce beyond measure.
You know what I love? The spaces between I love you. The tap of your fork against the plate and how my cup of wine clicks against our table. The scratchy voice coming from the radio in the other room. The quiet sound of your hand reaching across the table and whispering over mine. How your voice sounds like your mouth on the back of my neck. The soft murmur of our easy conversation.Between these quiet Tuesday night routines, following every comma and right after every pause for breath, is I, love, and you. In the middle of every I love you is a sink full of dishes, whisper of socked feet tangled in white sheets, and gentle kisses against curved cheeks. We lyric ourselves into the laundry that needs to be finished, into the ends of every smile that follows me repeating your name. We write ourselves into the grocery bags we need to carry, the cracks running up our rented walls, the sides of the bed we choose to drag up the sails of heavy eyed dreams.Like the spaces between our fingers, in the spaces between I, love, and you, we wait.The in-betweens have always been my favorite.