..What our contempt often hurls from us,We wish it our again; the present pleasure,By revolution lowering,does becomeThe opposite of itself..

So what's the point, then, if we can't be happy? Why are we doing any of this?""Oh, there's definitely happiness," Jack said, turning his back on the ocean and looking at her. "But it's just about moments, not ever-afters." He grinned. "Like when you're right in the middle of the ocean with your friends, with no one trying to kill you in any kind of horrifying way. You have to appreciate these moments when they happen, 'cause obviously we don't get many of them.

The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.

Many a rich man__ bed is bigger than many a poor woman__ bedroom; his bedroom, her house.

If I had a single wish, I would wish sixty seconds of total depravity upon myself. For one of the greatest gifts of all is to have __othing_ so that I can finally learn how to appreciate __verything_.

Before she cut her birthday cake, she cast a wish, then blew the candles out from his eyes.