she slammed the door andwas gone.I looked at the closed doorand at the doorknoband strangelyI didn't feelalone.
True photographs tend to remain on the streets, the story almost about to enter the edge of the frame of the snapshot or the shutter closing a moment too late, the story having just abandoned the frame.
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True photographs tend to remain on the streets, the story almost about to enter the edge of the frame of the snapshot or the shutter closing a moment too late, the story having just abandoned the frame.
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The practice of love offers no place of safety. We risk loss, hurt, pain. We risk being acted upon by forces outside our control.
Nos-tal-gic,_ Akira said, as though it were a word he had been struggling to find. Then he said a word in Japanese, perhaps the Japanese for __ostalgic._ __os-tal-gic. It is good to be nos-tal-gic. Very important.___eally, old fellow?___mportant. Very important. Nostalgic. When we nostalgic, we remember. A world better than this world we discover when we grow. We remember and wish good world come back again. So very important. Just now, I had dream. I was boy. Mother, Father, close to me. in our house.__e fell silent and continued to gaze across the rubble.__kira,_ I said, sensing that the longer this talk went on, the greater was some danger I did not wish fully to articulate. __e should move on. We have much to do.
I think about my mother singing after lunch on a Summer afternoon, twirling in blue dress across the floor of her dressing room
Sometimes, all you can take are memoriesBut if you__e lucky enough to capture the moment,it lives forever, immortally fixed.
Anyone can take a picture of poverty; it__ easy to focus on the dirt and hurt of the poor. It__ much harder__nd much more needful__o pry under that dirt and reveal the beauty and dignity of people that, but for their birth into a place and circumstance different from our own, are just like ourselves. I want my images to tell the story of those people and to move us beyond pity to justice and mercy.